Buy Used XR5 by dts

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XR5 Moving Lights

...ous shutter opening/closure).
StRobe: mechanical stRobe effect (frequency variable from 0.85 flashes/sec to 10
flashes/sec).
Motorized iris.
2 gobo wheels: 1 rotating (7 indexable 16 bit gobos + open) and 1 fixed (11 gobos)
1 Colour wheels (8 colours ).
Prism (indexable 3 facet prism rotating in both directions).
Electromagnetic ballast.
Pan: 540deg in 2.8 seconds (8 or 16 bit) with auto repositioning system.
Tilt: 270deg in 2.0 seconds (8 or 16 bit) with auto repositioning system.
USITT Standard DMX 512 input signal.
15 or 21 DMX channels.
4 -eight digit- LED display with 4 buttons.
Power Supply
Electromagnetic ballast: 230 V (50/60 Hz) standard.
On request: 100 V (50/60 Hz) or 120 V (60 Hz).
Power consumption: 350 W
Remote Lamp on/off via DMX
Operating ambient temperature: -10deg / 40degC
Weight: 20 Kg
4 XLR connectors (In and Out) with 3 and 5 pins

dts Moving Lights

Over 10000 Lumens - A projector that produces over 10000 lumens of light.. Used . . Used . ...

Power Distro - A power distro send power evenly and appropriately to various staging and rigging equipment to insure there is enough power to properly run the various equipment.. Used . . Used . ...

Light Board - A light board is yet another name used to describe a lighting console.. Used . . Used . ...

10-Bit DMX - A value or parameter using two DMX channels for control.. Used . . Used . ...

Scoop Light - Scoop lights or Scoops are circular fixtures that do not have any lenses. They have a reflector at the back of the fixture that directs the light out of the fixture. Since they do not have any sort o. Used . f lens system they are cheaper than other fixtures. However, the downside of this makes it so that you can not focus the light at all (even PAR's allow for more control than scoops). . Used .

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.