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SysTune Software Audio Mixers

...ing to guess at delay settings and suffer with erratic measurement results.

• No more running around in a Venue with a single microphone or hand held RTA and then trying to equalize the system blindly.

Renkus-Heinz Audio Mixers

Ever since, we’ve researched the science and technology of sound. Several of our innovations have been awarded US patents. Each discovery opens new avenues for investigation, fresh opportunities for improvement. After 20 years of development, the real excitement is just over the horizon. That’s why our founder Harro Heinz can still be found in our facility every day. That’s why our team of dedicated professionals can’t stop taking work home at night. That’s why discriminating audio professionals worldwide rely on us to help them set new standards of reference in sound reinforcement. Integrated Systems The packaged loudspeaker system with transducers, waveguides, filter network, enclosure and hardware is today’s standard. Back in ‘79 the concept was unorthodox, but we’ve always believed that better ideas will find their way into the hands of demanding professionals. Our first innovations (like US patent #4,336,425) came out of new thinking about compression drivers, but we realized that components yield only incremental improvements. The real performance breakthroughs come from using all the available tools – acoustic, mechanical, electrical and electronic – to bring reproduction closer to reality. Over a decade ago we introduced the first integrated systems, exploding boundaries that separated packaged loudspeakers from signal processing, power amplification, cabling and hardware. Today our engineers are equally at home with acoustics and electronics. Integrated systems design requires understanding a broad range of parameters, from matching amplifier output to transducer power handling, to precise setting of critical signal processing functions, to optimizing gain staging. Precision adjustment of limiter behavior, crossover frequencies and slopes, equalization and delay is a time-consuming, data-intensive process, but the results are worth it. Our integrated systems approach eliminates the frustration of verifying proper system setup and tracking down faults. The system designer and operator are free to focus on enhancing the listening experience, rather than trying to make the system work by adjusting critical parameters like driver protection, crossovers and EQ "on the fly." We build integrated systems as small as a single enclosure and as large as a high-output, wide coverage multi-element array. It’s all part of our search for new reference points in sound system performance.

Rack Module - A dimmer rack module is an individual dimmer designed to be installed in a dimmer rack.. Used . . Used . ...

Backlight - Light that comes from the upstage, behind all actors and scenery. It helps to separate them from the back drop.

Light coming from upstage, behind scenery or actors, to sculpt and separat. Used . e them from the background. Used . ...

Small Format Mixers - Small format mixers are audio mixers having 24 or less channels for input/output.. Used . . Used . ...

Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...

A1 - A1 is Lighting Industry Forum code for lamps that are origianally recommended for projection.

Here are all the codes:

CP: Film, Television &Photographic studio (3200K)
. Used . A1: Projection
T: Theatre (3000K)
P2: Photoflood (3200K)
K: General Purpose Flood Lighting (2850K) . Used . ...

Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.