Buy Used Studio-PAR II by Expolite

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Studio-PAR II LED Par

18 x 3in1, 1W RGB, brand new studio par led, dmx controllable.

Expolite LED Par

Conventional - Conventional lighting is made up of stationary lights that can be moved, but only via manual means of adjusting, or focusing the fixture with a yoke. However, some aspects of the lights, like brightne. Used . ss and color may be controlled remotely
by consoles or analog audio inputs. There are many different conventional lights used in stage lighting design including floodlights, pars, foll. Used . owspots, ellipsoidals, fresnels, strips and cycs. ...

Reverb - Reverb is an audio effect that reproduces the many echos that occur when a sound is produced in an enclosed space where the sound is reflected repeatedly by the boundaries of the enclosure, even after. Used . the source of the sound stops. The number of echos and the duration of the echos can be varied and with some modern effects units, the shape of the enclosure can be altered as well.. Used . ...

Pre-Rig - Pre-rig Trusses have bars with lights and other gear attached so that they can be lowered into a suitable operating position for a show or raised to store or transport without having to remove the gea. Used . r from the truss.. Used . ...

Accent - A distinguishing feature or characteristic in design, such as a feature that sets apart or complements a decorative style. Something that emphasizes or contrasts something else, like when a little col. Used . or makes the qualities of an image stand out. . Used . ...

Zoom Lens - A mechanical assembly of lens elements with the capability to vary its focal length allowing for a closer or farther view of a subject, without changing perspective. Zoom lenses are often described b. Used . y the ratio of their focal lengths from longest to shortest. A 100mm to 400mm zoom may be described as a 4:1 or 4× zoom.

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LED Par

The LED Par, or Parabolic Aluminized Reflector Lamp, is a specialized kind of stage lighting apparatus that are versatile enough to be used for practically any kind of application that might be required during concerts and other stage productions. The LED Par uses light-emitting diodes as opposed to traditional high-intensity discharge or halogen bulbs seen in classical stage lighting. There are three main types of LED par that are used in stage lighting. Striplights, PAR cans, which are rounded printed circuit boards on which LEDs are mounted, and moving head lights, which can be mounted on a yoke. Although the LED Par 64 can be used for almost any application, they are generally used as side lights, back lights or top lights, and also for lighting cycloramas. Two of the biggest advantages of the LED Par are that it has reduced power consumption when compared to traditional lights, and also a higher light output. Many LED pars, like the RGBW LED Par, come with green, red and blue LED bulbs, which be adjusted to achieve virtually any color spectrum, thus it is not required to have numerous different colored lights to achieve multiple different colors. One final advantage of the LED LED 1 Watt Par is that it can be directly manipulated using DMX – no extra dimmers are required for its control, as the light intensity can be adjusted from the main control panel.