Buy Used Stage Color 300 AE by Clay Paky

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Stage Color 300 AE Moving Lights

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0-100% mechanical dimmer with instantaneous beam BLOCKing on an independent channel
Stopper/1-11 flash/sec stRobe, on single channel
450deg pan, 252deg tilt
Automatic pan and tilt repositioning
Pan and tilt movement transport lock
Pan and tilt resolution selectable between 8 or 16 bits
8+2 control channels
Control signals: DMX 512
Electromagnetic ballast
Reset and lamp control through the DMX 512 input

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

8-Bit DMX - A value or parameter using one DMX channel for control.. Used . . Used . ...

Audio - Audio is the science and art of recording or reproducing sound through mechanical or electronic means. The field includes many disciplines, such as electrical engineering, acoustics, and music with de. Used . sign, installation and operation of sound recording and reproduction equipment as the focus. . Used . ...

Subtractive Color - Subtractive color explains the theory of mixing paints, dyes, inks, and natural colorants to create colors which absorb some wavelengths of light and reflect others. The color that an object appears t. Used . o have is based on what parts of the electromagnetic spectrum are reflected by it, or conversely by what parts of the spectrum are not absorbed.

Anything that is not additive col. Used . or is subtractive color. No other color mixing systems are known, except the imperfect system resulting from mixing real pigments, something that is very confusing nowadays.

Color is not an absolu...

A1 - A1 is Lighting Industry Forum code for lamps that are origianally recommended for projection.

Here are all the codes:

CP: Film, Television &Photographic studio (3200K)
. Used . A1: Projection
T: Theatre (3000K)
P2: Photoflood (3200K)
K: General Purpose Flood Lighting (2850K) . Used . ...

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.