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Si1 Audio Mixers

...along with the same bus structure as the Si2 and Si3 of 24 Group/Aux busses, 8 matrix busses and a full complement of monitor talkback and main bus outputs. These buses may be freely assigned to any of the 16 physical XLR connectors in addition to the dedicated MIX and monitoring output XLRs. Every bus has a dedicated 30-band BSS Audio graphic EQ, permanently patched in with no additional drain on DSP resource. Three option card slots are provided for further expansion such as Recording of all the channel direct output feeds or increasing the number of channels to mix.

Such is the power and topology of the Si Series that the separate DSP and control engines allow you to make any system or function changes live with no interruption in the audio.

Like the Si3 and Si2, the Si1 uses a combination of rotary encoders and OLED Screens on every channel so the engineer mixes at source, without recourse to a central screen, an interface welcomed by many engineers since the Si3's launch last year. Using the center section and channel encoders, it is possible to simultaneously monitor and control input EQ, input dynamics and output EQ. Four assignable on-board lexicon effect engines supplement 4 stereo inputs to provide a really powerful mix package in a width of 1.2m. Soundcraft's offline editor program, Virtual Si, can also be used to setup and manage complete shows offline, for later download to an Si1 console through a USB memory key.

With a wealth of input and output connections and power supply on board, the Si1 can simply drop in where an existing analogue console sat, utilising existing copper cable snakes and splitter systems.


Si Series Awards


One Box

* 32 inputs, 4 stereo inputs, 24 aux busses
* 8 matrix, 12 VCAs, 8 mute groups
* 4-band fully parametric EQ with high and low cut filters
* On-board dynamics
* Four independent Lexicon processors
* 24 analogue outputs
* Meters for every aux bus


Connectivity

On the rear of this highly-featured console are a host of I/O connectors to cover almost any need. Thirty-two XLR's for the mic/line inputs, 4 stereo line level inputs, 16 bus output XLR's, dedicated XLRs for Left/Right/Centre mix output, Left/Right/Centre monitor output, internal and external talkback and Oscillator connections. There are also 8 analogue insert connections which allow outboard processing to be inserted into any input channel or output bus.


Offline Editor - Virtual Si

To compliment the Soundcraft Si1, an offline editor (Virtual Si) is available. For more information on the Virtual Si, click here.


Harman Pro Group

As well as the wealth of experience in digital platform development that Studer and Soundcraft have with the Vista and Soundcraft Vi Series', the Soundcraft Si1 also draws expertise from other sister comPanies within Harman, with built-in effect processors from Lexicon and gates & compressors with the heritage of dbx and BSS Audio.

Soundcraft Audio Mixers

Founded in 1973, Soundcraft first made its mark with the launch of the Series 1, the first mixing console in a flightcase. Back in the early 70's, the music touring business was just beginning - and the transportable mixing desk quickly became popular among the bands and the new PA companies that were springing up to rent out sound equipment. From what was then a small company in central London, Soundcraft expanded and started to diversify. The company designed a mixer for recording - the Series 2 - and began to build a reputation for great-sounding desks, which is often referred to as the favoured 'British Sound'. Design and innovation has always been one of Soundcraft's major strengths. Over the years it has introduced a number of industry-favoured consoles such as the Series 4, 2400, TS24, 8000, 200B, 6000, Delta, SAC200 and the Spirit Folio range, and more recently the Series FIVE, FIVE Monitor and Broadway. Today Soundcraft has a network of 88 distributors selling and supporting its products world-wide. Part of the Harman Pro Group, Soundcraft is still very much the dedicated professional mixing console designer and manufacturer it was back in 1973. It now boasts a range of mixers which are designed for use in live sound, recording, post-production, TV and radio production and disco applications. Harman is an international company which comprises a group of dedicated manufacturers of audio equipment spanning professional audio, in-car systems, multimedia and hi-fi consumer products.

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Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.