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Sharpy Moving Lights

...shape of the beam and create an array of spectacular mid-air effects. 
With its light weight and modest footprint, Sharpy is small enough to be fitted anywhere – on Trusses at live and TV events, on stage, in showrooms or conference rooms. Sharpy is also available in a shiny mirror-finish chrome version, adding glamour to sets while making lights a less invasive presence.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Control Consoles - Lighting consoles are electronic devices used in lighting design to control multiple lighting and staging devices. They can generally control dimmers and many modern consoles can also control automate. Used . d lighting, fog machines, hazers, and other special effects devices. Lighting consoles communicate with the devices in the lighting system with an electronic control protocol, the most common. Used . of which is DMX-512.
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Pre-Rig - Pre-rig Trusses have bars with lights and other gear attached so that they can be lowered into a suitable operating position for a show or raised to store or transport without having to remove the gea. Used . r from the truss.. Used . ...

Advanced Control Network - A new protocol designed to improve upon on the exisiting known limitations of the DMX512 protocol. It was developed by the ESTA (The Entertainment Services and Technology Association).

T. Used . he Advanced Control Network (ACN) is intended to provide the next generation standard for the distribution of data in lighting control networks.
ACN needs to do much more than just supe. Used . rcede DMX. Ideally, ACN will unify lighting control networking, allowing a single network to carry many different kinds of lighting-related data and to connect equipment from different manufacturers. ACN is no

Backlight - Light that comes from the upstage, behind all actors and scenery. It helps to separate them from the back drop.

Light coming from upstage, behind scenery or actors, to sculpt and separat. Used . e them from the background. Used . ...

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.