Buy Used SB-2 by Meyer Sound

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SB-2 Line Array Speakers

...2 provides an effective solution to these problems. Featuring a tight 20-degree coverage pattern with high output capability, the SB-2 offers the ability to cover individual zones with highly intelligible, full-range sound while avoiding overlapping. A hybrid, two-way system, the SB-2 uses a waveguide to achieve directionality at high frequencies and a parabolic array of cone drivers at mid-to-low frequencies.

Because the SB-2 achieves very tight directional control in the critical mid frequencies, it enables designers of distributed systems to circumvent the usual tradeoffs between even sound pressure levels and Minimized combing. Its tight directional control also Minimizes reverberation, maximizing intelligibility. And with its high peak SPL output, the SB-2 can throw over much longer distances than conventional loudspeakers.

The SB-2 comprises 28 4-inch cone drivers, a 2-inch throat (4-inch diaphragm) Compression Driver, an integral complementary MOSFET power amplifier with 1240 watts burst capability, optimized signal processing circuitry, and compatibility with RMS remote monitoring system.

Meyer Sound Line Array Speakers

Established by John and Helen Meyer in 1979, Meyer Sound has been at the forefront of innovation in audio engineering for over two decades. From the outset, Meyer Sound looked beyond loudspeaker cabinet design to create totally integrated, systems-comprehensive solutions that encompass transducer design, signal processing, power amplification and even electroacoustic measurement systems. As a result, Meyer Sound's engineering teams have earned an enviable reputation for developing unique, innovative solutions to some of the most difficult problems confronting audio professionals. In fact, it is fundamental to John Meyer's philosophy that no component of a system should be compromised in order to compensate for variables "upstream" or "downstream." Instead, the entire system should be conceived, designed, tested, confirmed and manufactured as a whole to provide the optimum blend of audio fidelity, utility and long-term reliability.

Preset Boards - Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.

Generally, a preset board operator has a cue sheet for each s...

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

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Headsets and Beltpacks - Headsets are simply headphones with an attached mic, usually a noise canceling condenser mic, used for communicating with other crew members during a show or production. Beltpacks provide power to the. Used . headset and allow it to be used remotely. . Used . ...

Memory Consoles - Memory-based consoles have become very popular in almost all larger installations, particularly theatres. These new types of controls have completely replaced preset consoles as controllers of choice. Used . . Memory consoles are preferable in productions where scenes do not change from show to show, such as a theatre production, because scenes are designed and digitally recorded, so there is les. Used . s room for human error, and less manpower is required to produce the same result.

Memory consoles have a bank of faders called 'submasters.' These submasters can be programmed to control a single

Bulbs - A Bulb or light bulb is a source of artificial light. There are many different kinds of bulbs including High Intensity Discharge or HIDs, Halogen, Fluorescent and Light Emitting Diodes, but the most . Used . common is the incandescence that works by the release of electromagnetic radiation. . Used . ...

Line Array Speakers

Line array speakers make up a loudspeaker system to create a sound source that produces an evenly distributed sound output. The driver of each line array element is close enough to the driver of the next element to create constructive interference. The resulting sound waves go farther than sound waves from traditional loudspeakers. Line array systems date back to the early days of research in acoustics. Many old town halls and public venues still have old line source boxes which were found to project voice well though they are much smaller than horn-loaded speakers. These days, line array speakers use different drivers for high-, mid- and low-frequency passbands that must be in line. Each enclosure must be set up closely to form columns composed of these drivers. To increase the frequency range and maximum sound pressure, the number of drivers per enclosure must be increased. The orientation of line array speakers may vary. Vertical arrays are excellent for focusing sound at audiences without wasting output energy on ceilings or empty air above the audience because of its very narrow vertical output with a normally-wide horizontal pattern. On the other hand, horizontal line arrays have a very narrow horizontal output with a tall vertical pattern. For hanging concert speakers which are usually part of a concert reinforcement system, enclosures are set up together using a specialized rigging hardware and they hang from a single point. These line array speakers are curved backward at the lower portion so that the sound will reach more audience.