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Robin MMX Spot Moving Lights

...d other effects that allow easy customization via Slot&Lock system. Electronic auto-ranging ballast and Power Supplies ensure easy global installations, touring and cross renting.

Robe Moving Lights

Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105

Intensity - Measured in both lux and lumens. For any given luminaire (lighting instrument or fixture), this depends upon the power of the bulb, the design of the instrument (and its corresponding efficiency), the. Used . presence or absence of color gels or gobos, distance from the area to be lit, the color and subtance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to ot. Used . her regions of illumination). ...

Alternating Current - An alternating current (AC) is an electrical current where the magnitude and direction of the current varies cyclically, as opposed to direct current, where the direction of the current stays constan. Used . t. The usual waveform of an AC power circuit is a sine wave, as this results in the most efficient transmission of energy. However in certain applications different waveforms are used, such a. Used . s triangular or square waves.

Used generically, AC refers to the form in which electricity is delivered to businesses and residences. However, audio and radio signals carried on electrical wire ar

Color Changers - A conventional lighting fixture with a remotely controlled colored changeable filter over the lens. There are three kinds of mechanisms used in color changers, a wheel with lens sized holes into which. Used . colored gells can be placed, multiple fixed filters that can be moved in and out of the beam to mix the colors and a scroller which uses continuous, usually dichroic, filters to mix an even . Used . greater number of colors.



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Subtractive Color - Subtractive color explains the theory of mixing paints, dyes, inks, and natural colorants to create colors which absorb some wavelengths of light and reflect others. The color that an object appears t. Used . o have is based on what parts of the electromagnetic spectrum are reflected by it, or conversely by what parts of the spectrum are not absorbed.

Anything that is not additive col. Used . or is subtractive color. No other color mixing systems are known, except the imperfect system resulting from mixing real pigments, something that is very confusing nowadays.

Color is not an absolu...

Illumination - The simple ability to see what is occurring onstage
. Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.