Buy Used ProMover P64 by Meteor

Contact a Sales Specialist about used ProMover P64 for sale.

ProMover P64 Moving Lights

ProMover P64
DMX Channels: 4/6 Channel DMX operation
On Board Dimmer Fan speed adjustment
StRobe/Flash Mode
Pan: 360 deg.
Tilt: 270 deg.
8/16 Bit Resolution
LED Display
Lamp: Seal beam Par 64 500 or 1000w
Cooling: Forced air
Voltage: 120/220v 50/60 Hz.

Meteor Moving Lights

METEOR as a brand name in the entertainment light and sound industry has its origins in the UK where it was formed as "Meteor Illusion" in the late 1960's. Early products included sound-to-light controllers (Meteor 3000), the first sequential light chaser chaser (Meteor Tenway Chaser), Projection using the original Rank Aldis Tutor II projector and Graphic and Oil Wheels(the first truly psychedelic visual effect) and all the laser like, sound animated, crowd pleasing effects in fog. Subsequently METEOR created the now legendary ProBeam Projector Series. These are still in production and being sold. Manufacturing of Meteor was started in the UK, and following the acquisition of METEOR by the Hammond Group (Revox Corporation etc on Long Island, NY) in the early 1970's, development and production of the Meteor ClubMan DJ Mixer range was established in the USA. This was followed by a range of new lighting controllers and major effects, which has continued to this day with a new facility set up in Madison, Alabama in 1980. Our innovative controllers are what other manufacturers tried, unsuccessfully of course, to copy. METEOR set the standard, and then raised the standards on quality. Billboard Magazine rated the CLUBMAN DJ MIXERS as Best Mixer on the market for 7 years in a row. The Corporate Mission of Meteor has always been to provide products that deliver excitement and entertainment to the viewer - not just more 'bells and whistles' that had no effect on those dancing or cruising. When a crowd changes nightly, pre-programed lightshows (which can take hours) are less effective than a hands-on show by a professional DJ/LightJock who reads the crowd and knows their music. For this operator we developed Tolcon (short for Total Lighting Control), the world's first fully-integrated lighting controller that enabled multiple effects to be selected yet remain synchronized in one light show. Later came the Infinity System which is still available today and remains the only control system that can be expanded to suit any venue yet provide hands-on and autorun facilities. Simplistic and practical in use, allowing the professional to play to their crowd on the fly. So we invite you to take a good look at METEOR, the only Company that puts the visual effect of the product before everything else, and has ALWAYS supplied innovative and reliable product to this market and, longer than any other manufacturer. Our Design concept is that the product has to work and the show must go on!

Frequency - The measurement of the number of times a repeated event, generally a waveform, occurs in a given time frame usually expressed in Hertz, abbreviated Hz, or cycles per second. . Used . . Used . ...

Windshield - Foam cover for microphones that reduces the interferance caused by wind and breath allowing the microphone to pick up the desired sounds.. Used . . Used . ...

Lux - The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.

The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.

Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...

Zoom Ellipsoidal - A type of profile spot with two lenses allowing the adjustment of both the size of the beam and whether it is a hard or soft focus. This adjustment of focal length makes for an instrument with many us. Used . es around the stage. The flexibility is also vital when working with gobos. Also known (in the US) as a Zoom Ellipsoidal.. Used . ...

Wrap - A term used in Rigging for a short sling used to wrap a beam or truss or the action of wrapping a truss. In film and television production WRAP is an acronym for Wind Reel And Print and announces the. Used . end of a scene or session. . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.