Buy Used ProMover 1200 CYM by Meteor

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ProMover 1200 CYM Moving Lights

ProMover 1200 CYM
Lamp: HMI 1200 W/S
Colors: CYM Mixing- Color temp: 6000k
Luminous Flux: 110000
Stepper Motors: 22 - Channels: 12 - 24 deg.
Pan: 450 deg .- Tilt: 250 deg.
Weight: 125lbs
Size: Base 6 x 15 x 21 Yoke: 19 x 5 x 16

Meteor Moving Lights

METEOR as a brand name in the entertainment light and sound industry has its origins in the UK where it was formed as "Meteor Illusion" in the late 1960's. Early products included sound-to-light controllers (Meteor 3000), the first sequential light chaser chaser (Meteor Tenway Chaser), Projection using the original Rank Aldis Tutor II projector and Graphic and Oil Wheels(the first truly psychedelic visual effect) and all the laser like, sound animated, crowd pleasing effects in fog. Subsequently METEOR created the now legendary ProBeam Projector Series. These are still in production and being sold. Manufacturing of Meteor was started in the UK, and following the acquisition of METEOR by the Hammond Group (Revox Corporation etc on Long Island, NY) in the early 1970's, development and production of the Meteor ClubMan DJ Mixer range was established in the USA. This was followed by a range of new lighting controllers and major effects, which has continued to this day with a new facility set up in Madison, Alabama in 1980. Our innovative controllers are what other manufacturers tried, unsuccessfully of course, to copy. METEOR set the standard, and then raised the standards on quality. Billboard Magazine rated the CLUBMAN DJ MIXERS as Best Mixer on the market for 7 years in a row. The Corporate Mission of Meteor has always been to provide products that deliver excitement and entertainment to the viewer - not just more 'bells and whistles' that had no effect on those dancing or cruising. When a crowd changes nightly, pre-programed lightshows (which can take hours) are less effective than a hands-on show by a professional DJ/LightJock who reads the crowd and knows their music. For this operator we developed Tolcon (short for Total Lighting Control), the world's first fully-integrated lighting controller that enabled multiple effects to be selected yet remain synchronized in one light show. Later came the Infinity System which is still available today and remains the only control system that can be expanded to suit any venue yet provide hands-on and autorun facilities. Simplistic and practical in use, allowing the professional to play to their crowd on the fly. So we invite you to take a good look at METEOR, the only Company that puts the visual effect of the product before everything else, and has ALWAYS supplied innovative and reliable product to this market and, longer than any other manufacturer. Our Design concept is that the product has to work and the show must go on!

Laser - LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...

White Noise - A random audio signal with a flat power spectral density that contains noise at the same level at all frequencies. The signal's spectral density has equal power in any band and at any frequency in a . Used . given bandwidth. White noise is similar to white light which contains all frequencies. White noise is often used in the field of architectural acoustics to mask distracting or undesirable n. Used . oises in interior spaces....

Lighting Control Console - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. . Used . Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices. Consoles communicate with the dimmers and other de...

Club Systems - A club system is an all in one audio or lighting set up designed for permanent installation in a nightclub or similar venue. Used . . Used . ...

Alternating Current - An alternating current (AC) is an electrical current where the magnitude and direction of the current varies cyclically, as opposed to direct current, where the direction of the current stays constan. Used . t. The usual waveform of an AC power circuit is a sine wave, as this results in the most efficient transmission of energy. However in certain applications different waveforms are used, such a. Used . s triangular or square waves.

Used generically, AC refers to the form in which electricity is delivered to businesses and residences. However, audio and radio signals carried on electrical wire ar

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.