Buy Used PHW-300E by FutureLight

Contact a Sales Specialist about used PHW-300E for sale.

PHW-300E Moving Lights

...adjustable speed in both directions
CMY color mixing for indefinite color variations
Macro-function for combinations between CMY color mixing and color-wheel
Beam-shape effect: wide and flat beam can steplessly be rotated by 360deg, index function
StRobe effect with 1-13 flashes per second via shutter
Random stRobe effect
Control-Board with LCD-display and foil-keyboard for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours
Remotely switching of the lamp
Built-in demo sequence
Preprogrammed variable/random stRobe and dimmer Pulse effects
Remotely controllable speed of PAN /TILT movement for easy programming
Remote reset function
Motorized zoom
Mechanic dimmer
Exact positioning via 16 bit Pan/Tilt movement resolution
PAN-angle switchable between 630deg and 540deg
DMX-controlled operation or stand alone operation with Master/Slave-function
56 preprogrammed scenes in Program Run for stand alone operation
Number of scenes in Program Run can be changed individually
The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory
7 built-in programs can be called up via DMX-controller
Sound-controlled via built-in microphone
For MSR 300SA/SE GOLD FASTFIT lamp
DMX-control via every standard DMX-controller

FutureLight Moving Lights

FutureLight

Lighting Desk - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.

All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.

Consoles communicate wit...

Scoop Light - Scoop lights or Scoops are circular fixtures that do not have any lenses. They have a reflector at the back of the fixture that directs the light out of the fixture. Since they do not have any sort o. Used . f lens system they are cheaper than other fixtures. However, the downside of this makes it so that you can not focus the light at all (even PAR's allow for more control than scoops). . Used .

Conventional - Conventional lighting is made up of stationary lights that can be moved, but only via manual means of adjusting, or focusing the fixture with a yoke. However, some aspects of the lights, like brightne. Used . ss and color may be controlled remotely
by consoles or analog audio inputs. There are many different conventional lights used in stage lighting design including floodlights, pars, foll. Used . owspots, ellipsoidals, fresnels, strips and cycs. ...

Delay - Delay is an audio effect which records a signal or sound and then plays it back after a period of time. The delayed signal may be played back multiple times or looped back into the recording again to . Used . create the sound of a repeating decaying echo. Unlike reverb, which uses reflected sound to produce many echos, delay has greater control over the number of times the sound is echoed. . Used . ...

Audio - Audio is the science and art of recording or reproducing sound through mechanical or electronic means. The field includes many disciplines, such as electrical engineering, acoustics, and music with de. Used . sign, installation and operation of sound recording and reproduction equipment as the focus. . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.