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PHW-260E Moving Lights

...olor-wheel with additional 5 discrete dichroic filters plus white, 3200 K and 5600 K correction-filters, UV-filterSlot-in system for exchanging color-filtres without toolsSwitchable color change (mode 1: only full colors, mode 2: color-change at every position)Rainbow effect with adjustable speed in both directionsMacro-function for combinations between CMY-colour mixture and colour-wheelFrost-filter for softer beamBeam-shape effect: wide and flat beam can steplessly be rotated by 180degStRobe effect of 1-13 flash per sec. Control-Board with LCD-display and foil-keyboard for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hoursRemotely switching of the lampBuilt-in demo sequencePreprogrammed variable/random stRobe and dimmer pulse effectsBlack-out while Head moving or colour changing Remotely controllable speed of PAN /TILT movement for easy programmingRemote reset functionSilent fans cooling remotely controllable speed of fansMotorized zoomMechanic dimmerColored LCD-displayExact positioning via 16 bit Pan/Tilt movement resolutionLamp already installed and adjusted from factoryDMX-control via every standard DMX-controllerTechnical specifications:Power Supply:230 V AC, 50 Hz ~ Power consumption:345 W DMX-control-channels:17 DMX-512-connection:3-pin XLR Flash-rate:13 Hz Colour-wheel:5 dichroic filters plus white, CTO and CTB correction-filters, UV-filter Length of base:370 mm Width of yoke:420 mm Height (head horizontal):470 mm Weight (net):21.5 kg

FutureLight Moving Lights

FutureLight

Other Effect - Any audio effect not otherwise defined or described.. Used . . Used . ...

Auxiliary Output - A seperate line level output from a sound console that is to be used for foldback or monitoring that does not use up another main output. Each in channel has a path to the Auxiliary bus. It is also . Used . useful to send a signal to a separate effects processor.
. Used . ...

Hazer - A Smoke Machine or Fogger is an electrical device that creates clouds of artificual and hopefully non-toxic fog. The fog may come in different colors or smells and may be water or mineral based. It i. Used . s used for effects in theatre, staging, concerts and clubs.

A Hazer by contrast create a more diffusive, expansive haze that is usually not a thick and is used to enhance other e. Used . ffects, such as lighting and light beams.

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.