Buy Used PHW-1200 by FutureLight

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PHW-1200 Moving Lights

...stable speed in both directions
Macro-function for combinations between CMY color mixing and colour-wheel
StRobe effect with 1-13 flashes per second via shutter
Random stRobe effect
Lightbeam with 11deg-45deg radiation angle
Colored LCD-display
ESDC-Function (Easy Service Data Check) with battery-buffered Control Board for operation time readouts etc.
Control-Board with LCD-display and encoder for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours
DMX-controlled operation or stand alone operation with Master/Slave-function
64 preprogrammed scenes in Program Run for stand alone operation
Number of scenes in Program Run can be changed individually
The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory
8 built-in programs can be called up via DMX-controller
Sound-controlled via built-in microphone
Automatic position correction
8 or 16 bit resolution
Remotely switching of the lamp
Built-in demo sequence
Preprogrammed variable/random stRobe and dimmer Pulse effects
Black-out while Head moving or colour changing
Remotely controllable speed of PAN /TILT movement for easy programming (vector mode)
Remote reset function
Motorized zoom
Mechanic dimmer
Lamp already installed and adjusted from factory
DMX-control via every standard DMX-controller

FutureLight Moving Lights

FutureLight

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Beamage - The beam of light projected from lights as it appears in the air.. Used . . Used . ...

PAR - PAR is an acronym referring to "Parabolic Aluminized Reflector" which describes the mirror configuration. PAR lights resemble car headlights. They possess a lens, but the lens is an integral part of t. Used . he lamp and its position relative to the filament canno . Used . ...

Amp Module - An amp module is an individual amplifier, usually rack mountable, but may also be a stand alone amplifier.. Used . . Used . ...

Pre-Amp - A preamp amplifies a low level signal to normal line level before it is processed further and amplified further. It is generally used to give a boost to signals coming from Mics, Turntables and other . Used . audio equipment that has no amperage to the signal it produces.
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Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.