Buy Used PHS-750E PRO-Head Spot by FutureLight

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PHS-750E PRO-Head Spot Moving Lights

...anged • With gobo-shake function • Preprogrammed prism-gobo-macros • 3-facet prism • Stepless frost-filter for fading the projections in or out • Animation-wheel for fire-effect • Motorized focus • Mechanic dimmer • Steplessly adjustable iris • Lightbeam with 15deg-30deg radiation angle • Coloured LCD-display • StRobe-effect with 1-13 flashes per second via shutter • Random stRobe-effect • Exact positioning via 16 bit Pan/Tilt movement resolution • PAN-angle switchable between 630deg and 540deg • Control-Board with LCD-display and foil-keyboard for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours • DMX-controlled operation or stand alone operation with Master/Slave-function • 56 pre programmed scenes in Program Run for stand alone operation • Number of scenes in Program Run can be changed individually • The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory • 7 built-in programs can be called up via DMX-controller • Sound-controlled via built-in microphone • For MSR 700SA/DE GOLD lamp • Software-update possible via optional accessory • DMX-control via every standard DMX-controller What an all-rounder! You can use the multifunctional PHS-750E for TV-shows, receptions, exhibition booths or for nearly any other event. Due to the CMY coloured mixture it has no problem to create any colour you like. The continuous zoom can adjust the beam Reflection angle, a fact that could be quite helpful on exhibitions, for example. Just in case a company wants its logo to appear on a special point on a certain wall and your unit is fixed to a static trussing system, let the zoom do its work. Even if the distance to this special point of the logo changes as the wall is moved a bit back or forth, leave it to the zoom. Its compact design is definitely another benefit. In comparison to the bigger brother (PHS-1200) it weighs only half as much - 30.5 kg - and after all its equipment is almost the same. Concerning the power of brilliancy, the 750E reaches 70 - 75 % anyhow. More than a little insider tip!

FutureLight Moving Lights

FutureLight

Adaptor - A connector allowing more than 2 electrical devices to be connected to a single power source. These connections are normally in parallel (each device is given the same voltage levels), but current is . Used . divided between them. Also known as a "Twofer".

3-way splitters are known as "Threefers".. Used . ...

Fogger - A Fogger or Smoke machine is an electrical device that creates clouds of artificual and hopefully non-toxic fog. The fog may come in different colors or smells and may be water or mineral based. It i. Used . s used for effects in theatre, staging, concerts and clubs.

Hazers by contrast create a more diffusive, expansive haze that is usually not a thick and is used to enhance other ef. Used . fects, such as lighting and light beams.

Artnet - A lighting control protocol that is run over ethernet. Developed by Artistic Lisence. This protocol can use up to 256 DMX512 universes. This technology can also run over wireless ethernet.. Used . . Used . ...

Generators - Generators are used to provide power where power is otherwise not available, like in out door arenas or remote locations, or when not enough power is available at a particular location. . Used . . Used . ...

Preset Boards - Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.

Generally, a preset board operator has a cue sheet for each s...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.