Buy Used PHS-300E PRO-Head Spot by FutureLight

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PHS-300E PRO-Head Spot Moving Lights

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Slot-in system for exchanging gobos and color-filters without tools
Gobo-wheel 1 with 6 rotating gobos plus open
All gobos can be interchanged
Gobo-wheel 2 with 7 static metal gobos plus open
With gobo-shake function
Effect-wheel with rotating 3-facet prism, 3D prism and frost-filter
Macro-function for rotating gobos/rotating prism combinations
Motorized focus
Mechanic dimmer
Steplessly adjustable iris
LCD-display
StRobe effect with 1-13 flashes per second via shutter
Random stRobe effect
Exact positioning via 16 bit Pan/Tilt movement resolution
PAN-angle switchable between 630deg and 540deg
Control-Board with LCD-display and foil-keyboard for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours
DMX-controlled operation or stand alone operation with Master/Slave-function
56 preprogrammed scenes in Program Run for stand alone operation
Number of scenes in Program Run can be changed individually
The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory
7 built-in programs can be called up via DMX-controller
Sound-controlled via built-in microphone
For MSR 300SA/SE GOLD FASTFIT lamp
DMX-control via every standard DMX-controller

FutureLight Moving Lights

FutureLight

Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...

Frequency - The measurement of the number of times a repeated event, generally a waveform, occurs in a given time frame usually expressed in Hertz, abbreviated Hz, or cycles per second. . Used . . Used . ...

Wing - A breakout box or extension console that expands the current consoles capabilities by adding additional tactile faders and controls. Generally applied to lighting control consoles and adapted from a . Used . theater term used to describe the sides of the stage not visible to the audience where the actors make their entrances. . Used . ...

Moving Mirror Lights - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Depth of Field - While a lens focuses on a single plane of depth, there is usually an additional area in focus behind and in front of that plane. This is depth of field. Depth of field increases as the iris is closed.. Used . There is more depth of field the wider the lens and le . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.