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PHS-1200E Moving Lights

...djustable speed in both directions • Pre programmed colour- and gobo-macros • Variable colour temperature correction via CTO-filter • Stepless frost-filter for fading the projection in or out • Slot-in gobo-system for exchanging gobos without tools • Two gobo-wheels with 5 rotating gobos plus open each • All gobos can be interchanged • With gobo-shake function • Effect-wheel with rotating 2-facet prism, 3-facet prism, 5-facet prism, 3D-prism and open • The prisms rotate in both directions and at different speeds, prism index function • Macro-function for rotating gobos/rotating prism combinations • Animation-wheel for fire-effect • Motorized focus • Mechanic dimmer • Motorized zoom • Steplessly adjustable iris • Pre programmed variable/random iris/dimmer/shutter Pulse effects • StRobe-effect with 1-10 flashes per second via shutter • Random stRobe-effect • Lightbeam with 17deg-32deg radiation angle • Coloured LCD-display • ESDC-Function (Easy Service Data Check) with battery-buffered Control Board for operation time readouts etc. • Control-Board with LCD-display and encoder for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours • Software-update possible via optional accessory • DMX-controlled operation or stand alone operation with Master/Slave-function • 64 pre programmed scenes in Program Run for stand alone operation • Number of scenes in Program Run can be changed individually • The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory • 8 built-in programs can be called up via DMX-controller • Sound-controlled via built-in microphone • Automatic position correction • 8 or 16 bit resolution • DMX-control via every standard DMX-controller

FutureLight Moving Lights

FutureLight

Adaptor - A connector allowing more than 2 electrical devices to be connected to a single power source. These connections are normally in parallel (each device is given the same voltage levels), but current is . Used . divided between them. Also known as a "Twofer".

3-way splitters are known as "Threefers".. Used . ...

Wing - A breakout box or extension console that expands the current consoles capabilities by adding additional tactile faders and controls. Generally applied to lighting control consoles and adapted from a . Used . theater term used to describe the sides of the stage not visible to the audience where the actors make their entrances. . Used . ...

Large Format Mixers - Large format mixers are audio mixers having more than 24 channels for input/output.. Used . . Used . ...

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

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Delay - Delay is an audio effect which records a signal or sound and then plays it back after a period of time. The delayed signal may be played back multiple times or looped back into the recording again to . Used . create the sound of a repeating decaying echo. Unlike reverb, which uses reflected sound to produce many echos, delay has greater control over the number of times the sound is echoed. . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.