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PHS-1200 Moving Lights

...able colour temperature correction via CTO-filter • Slot-in gobo-system for exchanging gobos without tools • Two gobo-wheels with 5 rotating gobos plus open each • All gobos can be interchanged • With gobo-shake function • Effect-wheel with rotating 2-facet prism, 3-facet prism, 5-facet prism, 3D-prism and open • Frost-filter for softer beam • The prisms rotate in both directions and at different speeds, prism index function • Macro-function for rotating gobos/rotating prism combinations • Motorized focus • Mechanic dimmer • Motorized zoom • Steplessly adjustable iris • Pre programmed variable/random iris/dimmer/shutter Pulse effects • StRobe-effect with 1-10 flashes per second via shutter • Random stRobe-effect • Lightbeam with 17deg-32deg radiation angle • Coloured LCD-display • ESDC-Function (Easy Service Data Check) with battery-buffered Control Board for operation time readouts etc. • Control-Board with LCD-display and encoder for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours • Software-update possible via optional accessory • DMX-controlled operation or stand alone operation with Master/Slave-function • 64 pre programmed scenes in Program Run for stand alone operation • Number of scenes in Program Run can be changed individually • The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory • 8 built-in programs can be called up via DMX-controller • Sound-controlled via built-in microphone • Automatic position correction • 8 or 16 bit resolution • DMX-control via every standard DMX-controller

FutureLight Moving Lights

FutureLight

Full Racks - Dimmer racks are cabinets designed for stacking many dimmer modules into an easily accessible space. They can be permanent architectural installments or portable units built for road travel and vary i. Used . n size from small rack with only a few dimmer modules to very large racks with hundreds. . Used . ...

Zone Focusing - Technique for focusing a lens so that the field depth extends over a predetermined scope of distances making an entire area, or zone, in focus rather than one specific subject. . Used . . Used . ...

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Staging - Staging is the process and art of selecting, designing, or modifying the performance space for a given purpose, be it theatrical, television, film or concert production. . Used . . Used . ...

Analog signal - An analog or analogue signal is any variable signal continuous in both time and amplitude. It differs from a digital signal in that small fluctuations in the signal are meaningful. Analog is usually t. Used . hought of in an electrical context, however mechanical, pneumatic, hydraulic, and other systems may also use analog signals.

The word "analog" implies an analogy between cause an. Used . d effect, voltage in and voltage out, current in and current out, sound in and frequency out.

An analog signal uses some property of the medium to convey the signal's information. For example, an ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.