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MicroWedge Monitors

.... The RMW-1122's coaxial transducer reduces the baffle area by 30-50 percent, resulting in a compact enclosure that takes up less floor space on stage while ensuring smooth response and wide dispersion from a single, coherent source. The RMW-1122's highly innovative enclosure design also reduces interference with the audience's line-of-sight. Moreover, the RMW-1122's wide frequency response (60 Hz-20kHz) and high output level (123 dB continuous) makes the RMW-1122 an ideal choice for live sound applications requiring a high-performance monitor system in a low-profile package.
The MicroWedge line will include models equipped with a control to switch between passive and bi-amp crossover operation, and bi-amp only models. Like all Radian Professional Series loudspeaker systems, the RMW-1122 is made of 3/4 inch13-ply Baltic birch and is finished with Radian's exclusive water/scratch-resistant black Duradian finish.
Future models include an 8 inch and 15 inch versions.

Radian Audio Monitors

Radian Audio Engineering Radian Audio Engineering, Inc. was founded in 1988 by its president, Dr. Richard Kontrimas, with the mission of manufacturing great sounding, high quality loudspeakers at affordable prices. Radian’s initial offerings were replacement compression driver diaphragms. The diaphragms took of so well that it wasn’t long before the company was making compression drivers. Several major loudspeaker manufacturers quickly identified Radian as an important source for their compression driver needs and became O.E.M. customers. Coaxial loudspeakers were introduced shortly thereafter, followed by woofers and finally, complete loudspeaker systems. Today, Radian Audio, based in Orange, California is a major player in the O.E.M. loudspeaker component business, the sound contractor/fixed installation market and the portable/tour sound industry. With over two decades of success under its belt, Radian Audio proudly enters its third decade with its eye toward the future.

Backlight - Light that comes from the upstage, behind all actors and scenery. It helps to separate them from the back drop.

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Motor - A hoist is a device used for lifting or lowering a load by means of a drum or barrel around which rope or chain wraps. It may be manually operated, electrically or pneumatically driven and may use ch. Used . ain, fiber or wire rope as its lifting medium.

A hoist normally is used for lifting (near vertical) and a winch is normally used for pulling (near horizontal). . Used .

EQ - Equalization, or EQ, applies to any hardware or outboard effect used for the process of changing, increasing or decreasing the level or volume of a certain frequency in a sound to bring that frequenci. Used . es volume in line with the other sounds. It is used in live events and audio recording in film, music, TV and radio. . Used . ...

Light Board - A light board is yet another name used to describe a lighting console.. Used . . Used . ...

Gobo - A gobo is a thin circular plate with holes cut in it to create patterns of projected light. The name may be derived from a contraction of "go between", or from "GOes Before Optics". Another possible . Used . origin is from the early days of Hollywood. When the Director of Photography wanted daylight excluded from some area of the set, he'd say "GO BlackOut". Members of the crew would run around p. Used . utting black material between the sun and the set.

A gobo may be made from thin metal sheet, usually steel, or from etched glass, depending upon the complexity of the design. Glass gobos often inc

Monitors

Monitors are commonly known as “stage monitors”. Stage monitors are the speakers used on stage that are directed towards the performers so that they can hear themselves while playing. This allows them to monitor how well they are playing. Usually, the monitor speaker is needed when instruments with amplifiers are used in combination with acoustic instruments and the voice. These monitors on stage usually have built in amplifiers and equalizers. These monitors specifically highlight the vocals and the sound of the acoustic instruments so they won’t be enveloped completely by the drums or the other electronic instruments. The audio wedge, wedge monitor, stage wedge, amplifiers, equalizers and monitor mixers all comprise the stage monitor system. There are two types of monitor speakers: the floor monitors and side fill monitors. Usually speakers on stage are heavy duty and require high input power to be able to generate high volume sounds. The floor monitors are the speakers that are placed on the floor. They are compact with the angle back design. Because of its angle appearance, it is also known as “wedge”. The smaller singular speakers are called the “hot spot” monitor that is usually placed on the microphone stand so the performers can easily hear themselves. The two way heavy duty speakers have the woofer and the high frequency horn. The side fill monitors are those found at the upright side of the stage and these allow sound to be heard in places that the floor monitors cannot cover.