Buy Used MaDiRack by DigiCo

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MaDiRack Amp Racks

The MaDiRack comes as standard in the SD8 system and has 48 fixed inputs and 8 outputs, the output count can be increased to 24, these can be any combination of:- analogue, AES/EBU or AVIOM.

DigiCo Amp Racks

DiGiCo (UK) Limited brings together the design and development skills that have helped create some of the world's most popular, successful and ground-breaking live sound consoles, with the digital engineering expertise and manufacturing resources of Soundtracs. The company was formed in 2002 to develop the D5 Live digital mixing system, a revolutionary approach to both the live sound console and the way it interfaces with both ends of the audio chain. In basing a console around a powerful DSP engine using proven Soundtracs hardware and software, but with features dedicated to live sound mixing, DiGiCo created the world’s first truly open-ended console system, for which additional features will be made available in new software versions. This design philosophy ensures your investment in state of the art audio technology today will remain state of the art in the future. The D5 Live from DiGiCo: science dedicated to advancing the art of live sound engineering. Soundtracs was formed in the early 1980s by a group of recording engineers in search of a better studio console than those available at the time. The team’s success led to two decades of audio innovation and, in 1992, its first development of a digital audio mixing console. In 1996 this program led to the launch of the acclaimed Virtua console, followed a year later by the DPC, in 1998 the DS3 and in 2000 the D4. Since 2000 the company’s product range has been based entirely on digital audio. Along the way a host of new technologies has been introduced, including the first use by a console manufacturer of the revolutionary Sharc DSP from Analog Devices, a faster, more efficient processor than any then on the market, the first (and still the most comprehensive) use of multiple TFT LCD touchscreens, a pioneer in the use of a 96kHz sample rate, and the first to run multiple sample rates simultaneously. This is just some of the experience that has gone into creating the D1 Live digital mixing system, the latest innovation from one of the pioneers of professional digital audio.

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Similar colors may vary between different companies' formulations - for instance, they all have a color named 'bastard amber', yet Rosco's bastard amber is different from Lee's is different from G...

Scanner - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Zone Focusing - Technique for focusing a lens so that the field depth extends over a predetermined scope of distances making an entire area, or zone, in focus rather than one specific subject. . Used . . Used . ...

Lighting Control Console - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. . Used . Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices. Consoles communicate with the dimmers and other de...

Stages - A stage is a designated space for the performance of theatrical productions or other live events. Some stages are permanent structures in theaters, but often stages are temporary structures built for . Used . outdoor events and can range is size from small 20 to 30 square foot structures to very large arena sized stages assembled from many components.. Used . ...

Amp Racks

Amp racks or amplifier racks generally to refer any furniture, fixture, or case where amplifiers are mounted by their faceplates or in slot grooves. These are rugged and strong cases designed to carry and protect amplifiers. They are available in various styles, colors, features and materials. These are used in recording studios, mobile DJ setups, live stage events and other events in which audio amplification is needed. In these events, there could be more power or more output channels than a single amp could provide that is it may be necessary to have all portable amps. Rental sound reinforcement systems are not complete without any amplifier rack especially if the rental company’s target market is touring acts. A concert touring sound rack is built to hold up during road trips from one city to another. It should protect the amplifiers from the hazards of loading and unloading. Racks are not only for musicians who do live performances or concerts. PA systems, for the reproduction of speech and recorded music in buildings and institutions, also need a PA amp rack which can be portable or stationary depending on how the amplifiers are used. Stationary racks are of different styles or types such as wood, metal floor, fixed metal, sectional or reversible metal wall racks.