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MAC III Profile Moving Lights

The MAC III Profile offers a perfect balance between a superior feature list and ultimate performance. This high-output Profile Spot combines a new 1500 watt lamp technology with superb optical efficiency, a new design and great feel to take moving head performance to a higher level.

Martin Professional Moving Lights

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Amphitheatre - The name amphitheatre (alternatively amphitheater) is given to a public building of the Classical period (being particularly associated with ancient Rome) which was used for spectator sports, games an. Used . d displays.

Apart from function, the important outward distinction between an amphitheatre and a theatre is that an amphitheatre is round or oval in shape (whereas a classical th. Used . eatre was semi-circular). However, an amphitheatre differs from a circus, which was used for racing and looked more like a very long, narrow horse shoe.

The best-known amphitheatre in the world is...

Analog to Digital Converter - In electronics, an analog-to-digital converter (abbreviated ADC, A/D, or A to D) is a device that converts continuous signals to discrete digital numbers. Typically, an ADC converts a voltage to a di. Used . gital number. The digital to analog converter or DAC performs the reverse operation. . Used .

Speaker - A speaker is a device that converts an electrical signal into the equivalent air vibrations in order to make audible sound.. Used . . Used . ...

Revelation of Form - Altering the perception of shapes onstage, particularly three-dimensional stage elements. . Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.