Buy Used MAC 250 Entour by Martin Professional

Contact a Sales Specialist about used MAC 250 Entour for sale.

MAC 250 Entour Moving Lights

The MAC 250 Entour is a brilliant, feature rich profile with two gobo wheels, a color wheel, dimmer, shutter, prism and focus. Superior optics and an extremely user friendly construction make it ideal for the rigors of today's rental market.

Martin Professional Moving Lights

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Microphones - A microphone is a device that converts sound waves into an electrical signal. There are many different kinds of microphones, including carbon, condenser, dynamic, and ribbon microphones, all of which . Used . have serve specific needs in recording and audio production. . Used . ...

WYSIWYG - Acronym for "What You See Is What You Get," that is used in computing to describe a system where the content during editing appears very similar to the final product. Often employed in the context of . Used . software tools for lighting design and production administration or applied to TTL (through the lens) camera systems where the viewfinders have 100% film frame coverage. WYSIWYG lighting sof. Used . tware usually has fantastic 3D rendering of lighting states and direct connections to lighting consoles, enabling accurate visualisation of lighting designs. WYSIWYGs significantly increase the connection b...

Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.

Fresnels use a spherical reflector, with the filament of the bulb ...

Communications - Communication gear is essentially used to relay information to different individuals or teams during a show or performance to insure everything, including audio, lighting and staging are timed correct. Used . ly and functioning properly and safely. . Used . ...

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.