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LittleBig Moving Lights

...er saturated colours.

Thanks to its integrated folding clamp, it can be hung under a Truss with its electronic ballast deported up to 70m away from the fixture.
Also, the LittleBig is the only large format Xenon moving head fitted with an integrated pointing laser allowing to pre-focus the show with its lamp off.

Fully protected by its fibre composite shell, the fixture is technician friendly, with all standard maintenance accomplished through easy access modules.

DMX programming is a breeze, with a user friendly menu on both the fixture and the ballast. With only 95 cm high and 85 kg, the LittleBig is the most compact and versatile search light, ideal for concert tours,TV shows and other live outdoor or indoor events.

And it is by far the fastest automated projector on Earth, running its full 630deg pan in less than one and half second!

Zap Technologies Moving Lights

Amp Processor - An amp-processor is an amplifier that has other audio processing capabilities like compression or equalization and are often used in PA systems or to amplify mics or musical instruments. . Used . . Used . ...

XY - A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Over 10000 Lumens - A projector that produces over 10000 lumens of light.. Used . . Used . ...

Watt - An international system for the measurement of the amount of power used by a device, usually electrical in nature, equal to one joule per second or one ampere of current flowing at one volt. The watt. Used . is named after James Watt for his contributions to the development of the steam engine and in turn its contribution to electrical power.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.