Buy Used Libra Live by AMS Neve

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Libra Live Audio Mixers

...ion with no hidden traps for operators.
Integrating the full power and flexibility of digital control and digital audio processing within a purpose-designed broadcast production console.
An open system that is expandable, using industry standard interfaces and protocols.
Flexible multi-channel surround monitoring.
Totally digital architecture.
Fast learning curve for new users.
Dedicated channel controls where immediate access is required, together with a common central set for those controls where ease of reach and sight makes for a better design.
Fast, Flexible and Patch-free Mix-Minus
2G offers a dedicated mix-minus IFB system that combines simple, clear operation (touch any output and then any number of unwanted sources for that output) with full metering, monitoring and level control.
On the fly changes may be made at will, with source additions or subtractions only a button push away.
Control Surface
The intuitive, freelance-friendly control surface and high definition TFT meters allow the II/G to offer an easy learning curve for first time users.

AMS Neve have Pioneered a new and proprietary technology to drive the High Resolution TFT meters in the Libra Live II/G meter bridge - conceived, designed and built especially for the rigorous and demanding broadcast application.

The unique AMS Neve ViewMix™ drive cards control the TFT displays as console meters immediately from power-on. ViewMix™ does not use a microprocessor and does not depend on any operating system - this means that it cannot "crash" and has no boot-up time.

As AMS Neve have complete control over the design and manufacture of the ViewMix™driver card, built from standard components, it is secured against the notoriously short life cycle and rapid obsolescence of PC components.

Each High Resolution TFT screen on the Libra Live II/G console has its own dedicated ViewMix™ driver card.

Other consoles that have TFT displays in their consoles use standard PC technology (embedded or other) that take a significant time to boot up - or reboot from power interruption.

AMS Neve Audio Mixers

For more than 40 years AMS Neve has represented the pinnacle of professional audio design and engineering. More than a hundred world class analogue and digital designers, software specialists and audio purists spend their days dedicated to the advancement and evolution of professional audio products and workflows From its headquarters in northern England, AMS Neve has built a leading presence in the ultra high-end feature film scoring and mixing environments, the post-production and broadcast industries as well as in professional and project music studios worldwide. The company’s achievements have been recognized over the years by the industry’s most prestigious awards including an Emmy in 1992, a Grammy in 2000 and two Academy Awards in 1999 and 2004. While the awards and accolades are encouraging, our real reward comes from our commitment to making a difference to our clients’ enterprises in business, not just operational, terms. AMS Neve – no compromise professional audio.

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Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.