Buy Used Infinity Wash XL by Coemar

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Infinity Wash XL Moving Lights

... 360deg (Patent Pending)
SPECIFICATIONS:
• CMY-s color mixing system with new saturation mode (Patent Pending)
• 5 colors + open
• 1 multicolor effect filter
• Proportional CTO filter
• 2 prismatic effects: moon flower, beam'o (Patent Pending)
• Beamshaper 360deg (Patent Pending)
• Proportional zoom 5deg - 84deg
• Dimmer
• Mechanical and electronic stRobe (zap effect), synchronized, random, pulse effect
• Modular design for easy maintenance and servicing
• Pan 538deg, Tilt 252deg, 16 bit
PHYSICAL SIZE:
• Length: 450 mm (17.7 in)
• Width: 450 mm (17.7 in)
• Height: 750 mm (29.5 in), head straight up
• Weight: 45 kg (99.2 lbs)
LAMP AND BALLAST:
• Type: Philips MSR Gold 1200 Fast Fit
• Color temperature: 6300 Kelvin
• Color rendering index: 80
• Average lamp life: 750 hours
• Socket: PGJX50
• Electronic ballast with Power Factor Correction
• Electronically adjustable lamp power (700 W to 1450 W), via DMX
CONTROL PROTOCOL AND PROGRAMMING:
• USITT DMX512/1990
• DMX channels: 22
• Setting and addressing: LCD display or remotely
ELECTRICAL SPECIFICATIONS/CONNECTIONS:
• AC power: 200-208/230/240 V, 50/60 Hz, 2m (6.6 ft) integral cable without power plug
• Power consumption: 8 A at 230 V
• DMX data in/out: 3 pin and 5 pin locking XLR
• RJ45 for upload and Remote Control
OPTIONS:
• PC Lens (# 9136)
• LD Zoom 5deg - 36deg kit (# 9136/1)

Coemar Moving Lights

Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries. COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.

Color Changers - A conventional lighting fixture with a remotely controlled colored changeable filter over the lens. There are three kinds of mechanisms used in color changers, a wheel with lens sized holes into which. Used . colored gells can be placed, multiple fixed filters that can be moved in and out of the beam to mix the colors and a scroller which uses continuous, usually dichroic, filters to mix an even . Used . greater number of colors.



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Prime Lens - A lens whose focal length is fixed. Prime lenses are not as versatile as zoom lenses, but are generally superior in optical quality. This is due to the simplisity of design with fewer moving parts th. Used . at can be optimized for one specific focal length. . Used . ...

Amp Racks - An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.

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Watt - An international system for the measurement of the amount of power used by a device, usually electrical in nature, equal to one joule per second or one ampere of current flowing at one volt. The watt. Used . is named after James Watt for his contributions to the development of the steam engine and in turn its contribution to electrical power.. Used . ...

Preset Boards - Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.

Generally, a preset board operator has a cue sheet for each s...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.