Buy Used Giotto Beam 1500 by SGM

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Giotto Beam 1500 Moving Lights

...fitting the "CMY" and "Beam" modules one after another inside.
The CMY module, with CMY colour mixing system, linear CTO filter and Dimmer, is common to all three configurations. The “Beam module consists in a customizable gobo wheel, six rotating indexable 16-bit gobos, indexable customizable colour wheel (six colours + white), frost lens, linear iris diaphragm, rotating prism (4-facets) and animation wheel.

SGM Moving Lights

For over 25 years, SGM has been a key international player in the development of 'intelligent' entertainment lighting systems. Its success is based on its strong business vocation, its great interest in innovation and its staff's enthusiasm. But above all, its choices. Setting up a Research & Development Centre equipped with the very latest mechanical, electronic and optical processing software, where its technology is designed in-house. Managing the entire manufacturing process directly, using machinery and control systems of the latest generation. Being 'in the field' worldwide alongside lighting designers, rental firms and installers with its technicians and its sales network, listening to their needs and offering responses made up of concrete solutions and avant-garde products: products with a 'personality' and unique characteristics. This is why moving head fixtures, scanners, follow spots, colour-changers, lighting control consoles, dimmers, strobe lights and smoke machines with the SGM logo are equally at home on top show events, at concerts or in theatres and television studios. SGM faces 21st century technical and commercial competition as a protagonist, convinced of its present and certain of its future. Because SGM's future consists in cutting edge proprietary technology, an innovative approach to product features and great passion for a fascinating job.

5000 - 10000 Lumens - A projector that produces 5000 - 10000 lumens of light.. Used . . Used . ...

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

10-Bit DMX - A value or parameter using two DMX channels for control.. Used . . Used . ...

Amplifier - The amplifier can be considered to be any device that uses a small amount of energy to control a larger amount, although the term today usually refers to an electronic amplifier. The relationship of t. Used . he input to the output of an amplifier — usually expressed as a function of the input frequency — is called the transfer function of the amplifier, and the magnitude of the transfer function . Used . is termed the gain. There are numerous types of electronic amplifier depending upon the application....

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.