Buy Used Gamble EX56 by Crest Audio

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Gamble EX56 Audio Mixers

... professional touring
amplification. Additions to the
Professional Series included amplifiers
delivering up to 5000 watts
of power in dual-module packages.
Crest Audio next introduced the
NexSys amplifier control system
to rave reviews in 1991. NexSys
would become the standard for
future amplifier control technologies
and is still a standard today.
NexSys was a pivotal product for
Crest Audio, taking amplifiers from
touring racks to engineered system
implementations. Today, NexSys
can be found in the world's largest audio installations, from theme
parks and stadiums to transportation
and industrial applications. In
the late 1990s, Crest Audio historically
bridged professional-level
performance with cost effective
products. For the first time, it was
possible to obtain touring-class
audio performance, high-power
density and integrated control
options for every conceivable
sound system application. The new
millennium saw advances in audio
and control transport technology,
making it possible to implement
complete amplifier networking on
a single cable. Further integration
with the industry-standard Peavey
MediaMatrix DSP processing
system made Crest Audio amplifiers
and the NexSys control system
a world standard. In 2002, Crest
Audio introduced the next generation
of the Professional Series,
providing the same legendary sonic
performance in smaller, lighter
packages. The tradition continues as
Crest Audio products are continually
specified in the world's most
prestigious applications.

Crest Audio Audio Mixers

Not all audio components are created equally. Crest Audio has always striven to produce components which embody the finest audio quality and most rugged physical construction—regardless of cost. This design philosophy results in products which always exceed the audio specifications and physical demands of their target application. Crest Audio components could be designed with lower cost in mind, but now without sacrificing the excellence of our brand has come to represent. This difference is clearly audible when placing our products in A/B comparisons with competitors. Hands-on industry experience and research invests every aspect of the Crest Audio enterprise. Our engineering efforts are driven by a mandate to create products tailored to clearly defined applications and which apply proven technologies to well-researched user needs. Such real-world input ensures responsive product development and results in audio components with intelligent feature-sets, transparent user-interfaces, and intuitive control surfaces. Engineering is meaningless without quality construction. Crest Audio insists upon superior build quality employing the finest chassis design, components, mechanical construction, assembly, and quality control. We are so certain about the quality of our products that we offer five-year warranty protection in the U.S. and many other countries. Expert customer service and the industry's finest technical support complete the experience of owning and using Crest Audio products—trusted by professionals the world over.

Absorption - A surfaces ability to absorb sound. Absorption is rated from 0 to 1.

Full absoption is 1. Full reflection is 0. . Used . . Used .

Ellipsoidal Reflector Spotlight - ERS is an acronym standing for Ellipsoidal Reflector Spotlight. These are sometimes known by their brand names, especially Leko, short for Lekolite, the name given to them by their inventors, Joseph L. Used . evy and Edward Kook. ETC's Source Four has become a very popular ERS throughout the industry, and some people use the term Source Four to refer to spotlights in general. They come in many for. Used . ms, and are the most numerous and important instrument type in use. The flexibility of the ERS allows them to fulfill the bulk of the lighting roles in the theatre, from area lighting to close specials, from l...

Fogger - A Fogger or Smoke machine is an electrical device that creates clouds of artificual and hopefully non-toxic fog. The fog may come in different colors or smells and may be water or mineral based. It i. Used . s used for effects in theatre, staging, concerts and clubs.

Hazers by contrast create a more diffusive, expansive haze that is usually not a thick and is used to enhance other ef. Used . fects, such as lighting and light beams.

Incandescent light bulb - The incandescent light bulb (archaically known as the electric lamp) uses a glowing wire filament heated to white-hot by electrical resistance, to generate light (a process known as thermal radiation . Used . or incandescence). The bulb is the glass enclosure which keeps the filament in a vacuum or low-pressure noble gas, or a halogen gas in the case of quartz-halogen lamps (see below) in order to. Used . prevent oxidisation of the filament at high temperatures. In Australia and South Africa a light bulb is also called a light globe.

Because of its poor efficiency and yellowish color, it is being ...

Full Racks - Dimmer racks are cabinets designed for stacking many dimmer modules into an easily accessible space. They can be permanent architectural installments or portable units built for road travel and vary i. Used . n size from small rack with only a few dimmer modules to very large racks with hundreds. . Used . ...

Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.