Buy Used GL2800M by Allen and Heath

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GL2800M Audio Mixers

...neer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M... affordable, capable and easy to use - without compromise, exactly right for the job. 16 mixes with stereo capability Stereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you control up to 8 stereo in-ears or more as combinations of wedges and in-ears. Multiple stereo in-ear mixing presents new challenges to the monitor engineer. You need to balance every source including ambience within the stereo image according to the preference of each performer. The GL2800M provides tamperproof global mono/stereo assignment of its 16 mixes. Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise.

Features
• 24, 32, 40 and 48 channel frame sizes
• 16 mixes globally assigned as mono or stereo with level and pan
• Built-in mic splitter with ground lift switching
• All masters include polarity switch, swept HPF and 6dB dim function
• Mix 1-8 include 2 band swept frequency output EQ
• Engineer's IEM and wedge Monitors with faders, meters, inserts and XLR
• IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring
• Mix AFL assignable to either wedge or IEM monitor
• PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable
• Headphones follow IEM mode, includes ¼ and 3.5mm jacks
• Talkback with independent selection to all mixes and external output
• Talk latch mode for use with switched hand held talkback mic
• Built-in oscillator/ pink noise generator assignable to any mix output
• Built-in dual supply combiner for additional Power Supply as a backup
• 4 mute groups
• Compact footprint ideal for flight casing and saving space at side of stage
• Solid, individual card, nutted pot construction in a no nonsense all steel chassis
• The best of analogue - great sound, reliable and easy to use

The GL2800M ships with mains leads, user guide, A&H stickers

Allen and Heath Audio Mixers

We've built a lot of mixers in the last 35 years or so (over 160,000 at the last count) and we still get a huge buzz out of doing it well. It's an unbeatable feeling to know that at any time of day or night, right across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the guy at the controls.

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Moving Lights - Moving lights or intelligent fixtures were originally implemented in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the . Used . early 1980's. As the digital age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are . Used . currently used in almost all major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices...

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Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.