Buy Used DM-4800 by Tascam

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DM-4800 Audio Mixers

...iment of analog and digital I/O is more than you'll find on consoles costing three times as much, and a completely confi gurable 24-buss routing system allows you to re-patch the board at the flick of a switch.

Tascam's DM-4800 fits seamlessly into the modern Recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the Tascam DM-4800 adapts to the needs of any professional audio installation.

Tascam Audio Mixers

TASCAM, the company that invented the home studio revolution, is one of four divisions of TEAC Corporation, a $1.2 billion manufacturing company headquartered in Japan. While the other divisions of TEAC have grown into a multitude of high tech industries including data storage devices, consumer electronics tools and industrial products, TASCAM has remained dedicated to making innovative products for capturing creativity in the field of music and audio. The beginning of TASCAM starts with the founding of TEAC nearly fifty years ago. In 1953, a pair of engineers in Japan - the Tani brothers - created the first TEAC product line, which was comprised of open-reel audio tape recorders. In the late 1960's, the Tani brothers and Dr. Abe, a senior engineer at TEAC, formed a special R&D group named TASC (TEAC Audio Systems Corp.) for the purpose of researching ways to apply TEAC's recording technology for musicians and recording studios. TASCAM (TASC AMerica Corp.) was established in 1971 for the purpose of distributing TASC products in the U.S. and conducting additional market research. The company's first home was at 5440 McConnell Avenue, on the west side of Los Angeles near Marina del Rey. During the formative years in the early '70s, the music scene was flourishing. Musicians who wanted to showcase their talents and abilities to the recording industry needed a cost effective means to record their music. However, most musicians could afford neither the expense of recording in a professional recording studio nor the asking price of professional recording equipment. Realizing the dilemma facing these musicians, TASC adopted a philosophy of manufacturing recording equipment that offered the uncompromising quality and durability of professional studio equipment while remaining affordable to the masses.

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Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals – they allow users to optimize the sound output in a number of ways – adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified – for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.