Buy Used DJ-Head 575 Spot by FutureLight

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DJ-Head 575 Spot Moving Lights

... for static gobos
* Gobo-wheel 2 with 2 rotating metal-gobos, 4 multicolor-dichro-gobos and open
* The rotating gobos can be interchanged
* Via the combination between dichro-gobos and color-wheel or multicolor-dichro-gobo even more colour-combinations possible
* High-speed rotating 3-facet prism
* Remotely controllable motorized focus
* Combined shutter/dimmer unit allowing very smooth dimming and strobo effect 1-10 flash per sec.
* Remotely switching of the lamp
* Macro-function for rotating gobos/rotating prism combinations
* Black-out while Head moving or gobo/colour/prism changing
* Remotely controllable speed of Pan/Tilt movement for easy programming
* Remote reset function
* Silent fans cooling; remotely controllable speed of fans
* 16 DMX-channels - 16 bit Pan/Tilt movement resolution
* 14 DMX-channels - 8 bit Pan/Tilt movement resolution
* Pan-movement range 530deg
* Tilt-movement range 280deg
* Motorized multi-step-zoom with three different apertures (15deg, 18deg and 22deg)
* Steplessly adjustable iris
* Control-Board with 4-digit display for adjusting the DMX-starting address
* For MSR 575/2 or MSR 575 lamp
* DMX-control via every standard DMX-controller

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FutureLight Moving Lights

FutureLight

Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.

Fresnels use a spherical reflector, with the filament of the bulb ...

Zirconium Lamp - A high intensity point source arc lamp using a zirconium oxide cathode in an argon-filled bulb. Used in powerful projectors because of its low emanation of long-wavelength light and its concentrated . Used . source. Similar to the Drummond light or Limelight, but differing from them chiefly in the employment of cones of zirconium instead of cylinders of lime. It has been outdated and replaced b. Used . y electric lighting....

5000 - 10000 Lumens - A projector that produces 5000 - 10000 lumens of light.. Used . . Used . ...

Followspot - Followspot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A followspot operator moves the followspot to follow the performer or to accent. Used . some action or prop etc. Somtimes called limes, dating back to the days of limelight.

Followspots are generally much brighter than conventional lighting instruments, and often u. Used . se a lamp with a considerably higher color temperature.

Lux - The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.

The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.

Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.