Buy Used DJ-Head 250 Wash by FutureLight

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DJ-Head 250 Wash Moving Lights

...lector
Light-output via Fresnel lens with a diameter of 150 mm
Radiation-angle of Fresnel lens manually adjustable between 8deg and 22deg
High-quality stepper-motors for smooth movements
Control-Board with 4-digit display for adjusting the DMX-starting address
For MSD/HSD 250, MSD 250/2 lamp
DMX-control via every standard DMX-controller
Power Supply: 230 V AC, 50 Hz ~
Power consumption: 700 W
DMX-control-channels: 13
DMX-512-connection: 3-pin XLR
Flash-rate: 10 Hz
Colour-system: CMY colour-mixture
Colour-wheel: 9 dichroic filters and open
Length of base (including handles): 435 mm
Width of yoke: 410 mm
Height (head horizontal): 500 mm
Weight (net): 25 kg

FutureLight Moving Lights

FutureLight

Small Format Mixers - Small format mixers are audio mixers having 24 or less channels for input/output.. Used . . Used . ...

Color gel - Color gel is a translucent or transparent coloured material that is used in theatre to colour light. Modern gels are usually made of polycarbonate or polyester, but the name arose from the gelatin ori. Used . ginally used. See gel (theater).

Gels are also used in photography and cinematography for the purpose of color correction, and in this capacity are usually called color filters.<. Used . br />
Similar colors may vary between different companies' formulations - for instance, they all have a color named 'bastard amber', yet Rosco's bastard amber is different from Lee's is different from G...

Moving Lights - Moving lights or intelligent fixtures were originally implemented in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the . Used . early 1980's. As the digital age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are . Used . currently used in almost all major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices...

Triangular - A triangular truss is so named because of its triangular shape, having three main support bars.. Used . . Used . ...

Amplifier - The amplifier can be considered to be any device that uses a small amount of energy to control a larger amount, although the term today usually refers to an electronic amplifier. The relationship of t. Used . he input to the output of an amplifier — usually expressed as a function of the input frequency — is called the transfer function of the amplifier, and the magnitude of the transfer function . Used . is termed the gain. There are numerous types of electronic amplifier depending upon the application....

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.