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DA302 Recording

...de DATs or two 24 bit DAT recorders.

For long play or long record applications, multiple DA-302s can be linked. This allows each well to engage sequentially for automated playback or Recording.

Also, each DAT in the DA-302 can act independently, allowing one source to play, and another to record. This is ideal for use in shows, allowing one DAT to play back sound cues while the other records the show. Or, both DATs can be used in playback simultaneously for feeding independent sources to two different zones, or even for overlaying cues.

The DA-302 offers unbalanced RCA analog I/O. The input is common, but the outputs are separate. Independent digital in and out are provided on digital coax ports that can output SPDIF or AES/EBU signals. If balanced ports are desired, the optional LA-D302 will offer XLR balanced ports for the analog in and independent outs.

The RC-D302 wired remote is included with the DA-302.

Tascam Recording

TASCAM, the company that invented the home studio revolution, is one of four divisions of TEAC Corporation, a $1.2 billion manufacturing company headquartered in Japan. While the other divisions of TEAC have grown into a multitude of high tech industries including data storage devices, consumer electronics tools and industrial products, TASCAM has remained dedicated to making innovative products for capturing creativity in the field of music and audio. The beginning of TASCAM starts with the founding of TEAC nearly fifty years ago. In 1953, a pair of engineers in Japan - the Tani brothers - created the first TEAC product line, which was comprised of open-reel audio tape recorders. In the late 1960's, the Tani brothers and Dr. Abe, a senior engineer at TEAC, formed a special R&D group named TASC (TEAC Audio Systems Corp.) for the purpose of researching ways to apply TEAC's recording technology for musicians and recording studios. TASCAM (TASC AMerica Corp.) was established in 1971 for the purpose of distributing TASC products in the U.S. and conducting additional market research. The company's first home was at 5440 McConnell Avenue, on the west side of Los Angeles near Marina del Rey. During the formative years in the early '70s, the music scene was flourishing. Musicians who wanted to showcase their talents and abilities to the recording industry needed a cost effective means to record their music. However, most musicians could afford neither the expense of recording in a professional recording studio nor the asking price of professional recording equipment. Realizing the dilemma facing these musicians, TASC adopted a philosophy of manufacturing recording equipment that offered the uncompromising quality and durability of professional studio equipment while remaining affordable to the masses.

Memory Consoles - Memory-based consoles have become very popular in almost all larger installations, particularly theatres. These new types of controls have completely replaced preset consoles as controllers of choice. Used . . Memory consoles are preferable in productions where scenes do not change from show to show, such as a theatre production, because scenes are designed and digitally recorded, so there is les. Used . s room for human error, and less manpower is required to produce the same result.

Memory consoles have a bank of faders called 'submasters.' These submasters can be programmed to control a single

XLR - A type of rugged multipin metallic connector for sound and lighting equipment generally having 3 pins for audio applications and 5 pins for DMX lighting. XLR plugs are very effective at reducing data. Used . and noise errors because a comparison is made between the signals carried by two of data cables, canceling out any differences. This relationship has given rise to the misnomer that XLR sta. Used . nds for eXternal Live Return. However, these connectors, sometimes called Cannons after the original manufacturer were originally called the Cannon X series, later versions added a Latch making the Cannon XL ...

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Motors - Motors are any electrical or mechanical device used to power lifts that aid the ground support crew in placing gear up onto stages or trusses.. Used . . Used . ...

Illumination - The simple ability to see what is occurring onstage
. Used . . Used . ...

Recording

Sound recording is a form of recording or reproduction using electrical and mechanical translation of the sound waves. The sounds recorded are usually spoken voice, instrumental music, singing and sound effects. Audio recording can either be analog or digital. Analog recording uses a transducer such as a microphone to record sounds analogous to the air pressure surrounding the sound being recorded. The analog recorder may use a microphone diaphragm for acoustic sound recording. This microphone is highly sensitive to changes in the pressure of the acoustic sound waves. It records these sounds in graphic representations such as the phonograph that records grooves with a stylus. Sound waves from electronics can be directly reproduced from the pickups of an electric guitar or synthesizer. These are commonly used by musicians to hear how well they are doing during a recording session. Digital recording is the direct recording of audio or video into a storage device that records it as binary numbers representing the modifications in atmospheric pressure of the sound. The record can be stored and read back to be reproduced. This type of recording is more accurate and is more resistant to errors compared to analog recording. Both however have their own limitations. The analog system is bound by the capabilities of the medium and circuits used to record. In the digital system, the ratio of signal to noise is bound by the bit depth of the modification from analog to digital. Natural noise is a common limitation of both recording systems.