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Controlite Moving Lights

Moving washlight with halogen lamp (tungsten 3200 degree K) and infinite CMY (cyan, magenta, yellow) color mixing. Whether it's the State Opera House of Paris or Vienna, Hamburg's Thalia Theater, Berlin's Deutsches Theater, the Schauspielhaus of Basel and Zürich, the Champs-Élysées Theater in Paris, or the TV stations ZDF in Mainz and ORF in Vienna - at all of these illustrious Venues and more, you will find Amptown Controlite Washlights HP/HX Squarcle in operation!

Amptown Moving Lights

Lighting systems for theatre and event. For stationary and transportable use. Technology partner. Development and production of intelligent lighting systems, moving lights and dimmers.

Recording - Sound or audio recording is the electrical or mechanical encoding of sound waves and audio signals, usually voice or music for the purpose of reproducing the sounds at a later time. There are two basi. Used . c types of recording, analog in which the signal is variable and continuous, and digital in which the signal is first converted into a binary language.. Used . ...

WYSIWYG - Acronym for "What You See Is What You Get," that is used in computing to describe a system where the content during editing appears very similar to the final product. Often employed in the context of . Used . software tools for lighting design and production administration or applied to TTL (through the lens) camera systems where the viewfinders have 100% film frame coverage. WYSIWYG lighting sof. Used . tware usually has fantastic 3D rendering of lighting states and direct connections to lighting consoles, enabling accurate visualisation of lighting designs. WYSIWYGs significantly increase the connection b...

Entire Stages - An entire stage is a complete stage that generally include platforms, stairs and sometimes roofing, ranging in size from small easy to transport stages to large staging systems.. Used . . Used . ...

Converters and Sync - An audio converter is a type of electronic hardware that converts analog audio signals to digital audio format or vice versa. Audio synchronizers arrange the signals, either analog, digital or both, s. Used . o that multiple the signals occur in time. . Used . ...

Followspot - Followspot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A followspot operator moves the followspot to follow the performer or to accent. Used . some action or prop etc. Somtimes called limes, dating back to the days of limelight.

Followspots are generally much brighter than conventional lighting instruments, and often u. Used . se a lamp with a considerably higher color temperature.

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.