Buy Used ColorWash 750 AT Tungsten by Robe

The ColorWash 750AT Tungsten's potent 750W halogen lamp makes ideal for theatre, TV and architectural markets, requiring colour temperatures of 3200K. The beam path is uniform and without hotspots, it has warm colour tones and smooth electronic dimming. The fixture has a 1-12 FPS stRobe effect, full CMY + CTB colour mixing system, a rotating beam Shaper and a linear zoom ranging between 8deg and 45deg. Source Lamp: Halogen lamp Base: PGJX50 Approved model: Philips Hi-Bright 750 FastFit ...

Also Known As: Used 750 at

Used Moving Lights For Sale
$5,103 USD  :  €3.897 EUR
In good condition.
$2,211 USD  :  €1.688 EUR
These Studio Commands have been meticulously maintained and consistently polished and cleaned b...

Contact a Sales Specialist about used ColorWash 750 AT Tungsten for sale.
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ColorWash 750 AT Tungsten Moving Lights

...-Bright 750 FastFit
Control: Automatic and remote on/off

Optical System
Dichroic glass reflector for maximising the light efficiency
Front Fresnel lens of diameter of 200 mm
Beam angle: 8deg - 45deg

Electrical Specification
Power supply: Electronic auto-ranging
Input voltage range: 110-240 V AC,50/60Hz
Power consumption: 900VA at 230V/50 Hz

Mechanical Specification
Height: 597 mm (23.5„) - head in horizontal position
Width: 514 mm (20.2„)
Depth: 499 mm (19.7„)
Weight: 30.9 kg (68 lbs)
Fixation option: Pan/Tilt-lock mechanism

Thermal
Maximum ambient temperature: 40degC (104degF)
Maximum surface temperature: 120degC (248degF)

Control and Programming
Setting & Addressing: Robe Navigation System (RNS)
Protocol: USITT DMX-512, RDM support
Control channels: 18, 20, 21 or 23
5 DMX protocol modes
3-editable programs, each up to 99 steps
Stand-alone operation
Display: Blue/white LCD graphic
Pan/Tilt resolution: 16-bit
Movement control: Tracking and vector
Beam shaper: 8- or 16-bit
Zoom: 8- or 16-bit
Mechanical dimmer: 8- or 16-bit
EThernet port: Art-Net protocol, ready for ACN
Data in/out: Locking 3-pin & 5-pin XLR
Built-in analyser for easy fault finding

Electromechanical Effects
Cyan: 0-100%
Magenta: 0-100%
Yellow: 0-100%
CTB: 0-100%
Beam shaper: Indexable,continuous rotation in both directions at different speeds
Mechanical Dimmer/Shutter: Full range dimming and variable stRobe effect
Electronic Dimmer: Full fine dimming
Motorized zoom
Pan: 530deg
Tilt: 280deg

Rigging
Mounting points: 4 pairs of Ό-turn locks
2 x Omega bracket with Ό-turn quick locks
Safety chain/rope attachment point

Optional Accessories
Module of front wide-angle lens D200
Remote Control IR
Top Hats

Robe Moving Lights

Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Enhancers - Enhancers are outboard audio effects used to improve the clarity of the sound.. Used . . Used . ...

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Pyro - Pyrotechnics are chemical explosive or flammable firework effects with a manual detonation, usually electrically fired by special fail safe equipment. There are many different kinds of pyrotechnics an. Used . d they are primarily used to enhance a theatrical or musical performances with flashes, smoke, loud bangs and flaming light shows. While similar to fireworks, pyrotechnics are more localized . Used . and generally smaller. ...

XY - A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...

House Lights - House lights are incandescent or fluorescent floodlights. House lights provide light for the audience before and after performances and during intermissions. Work lights provide general lighting backs. Used . tage, or in the house. House lights are often controlled by dimmers, but are sometimes on simple switches. Work lights are almost always switched only. House and work lights are usually off d. Used . uring performances but are occasionally included in the lighting design to establish focus or emphasize plot elements. ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.
Used ColorWash 750 AT Tungsten For Sale
$2,287 USD
€1.746 EUR
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Quantity:
20
Year:
Call for Age
Normal Wear & Tear

2 Day
Warranty
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