Buy Used Alpha Wash HALO 1000 by Clay Paky

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Alpha Wash HALO 1000 Moving Lights

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Exclusive optics
New optical unit with optimal luminous efficiency.
14deg - 64deg electronic linear zoom.
Fresnel Lens: diameter 200 mm, focal length 140 mm.
Top Hat for a perfect beam control.
Magical colors and effects
CMY Color Mixing
Frost with linear variation.
Indexable ovalizer.
0-100% electronic dimmer.
Stop / stRobe effect.
Multiple and useful functions
Long life self-charging buffer battery.
Pre-set macros.
ON/OFF lamp control from the lighting desk.
Function reset from the lighting desk.
"HELP" function in the menu.
"MEMO" function.
"AUTOTEST" function.
Possibility to upgrade the software through the DMX 512 input.
EThernET connection.
Electronic control on each parameter.
DMX level monitoring on each channel.
Feedback information for each sensor and encoder.
Electronic repositioning of the effects.
Alpha Wash HALO is an (Silent Version) projector.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Controllers - A hoist or motor controller is a machine for raising and lowering personnel or gear by means of a cable for the purpose of setting the gear in place on a truss or stage.

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White Noise - A random audio signal with a flat power spectral density that contains noise at the same level at all frequencies. The signal's spectral density has equal power in any band and at any frequency in a . Used . given bandwidth. White noise is similar to white light which contains all frequencies. White noise is often used in the field of architectural acoustics to mask distracting or undesirable n. Used . oises in interior spaces....

Yoke - The metal strip running over the top and on both sides of a light to which the G-Clamp is attached. . Used . . Used . ...

Screens - Highly reflective screen used for projectors to provide a better, clearer surface or an image to be projected on to.. Used . . Used . ...

Fresnel Lens - A Fresnel lens is a type of lens invented by Augustin-Jean Fresnel. Originally developed for lighthouses, the design enables the construction of lenses of large size and short focal length without th. Used . e weight and volume of material which would be required in a lens of conventional design.

The Fresnel lens (often pronounced FREZ-nell but usually the original fre-NELL in theatr. Used . ical and motion picture lighting applications) reduces the amount of material required compared to a conventional spherical lens by breaking the lens into a set of concentric annular sections known as Fresnel

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.