Buy Used Alpha Wash Easy 1200 by Clay Paky

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Alpha Wash Easy 1200 Moving Lights

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Simple yet packed with features, Alpha Wash Easy 1200 is the most competitive product in its market category.
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Optics
Optical unit with optimal luminous efficiency.
3- step beam angle (11deg; 20deg; 30deg).
Fresnel Lens: Ø 200 mm, focal length 250 mm.
Colors and Effects
CMY Color Mixing
Linear CTO.
2 frost filters (20deg and 30deg).
Optional Ø 200 mm DifFusion Filter, with max aperture 70deg, to be inserted inside the fixture. (cod. 080382/001)
Indexable Ovalizer.
Dimmer 0-100 % on a dedicated channel.
Stop / stRobe effect.
Electronics and other features
Long life self-charging buffer battery.
Pre-set macros.
"ENERGY SAVING" function: with the stop or total dimmer effect on, or with all the CMY filters full (black), consumption cut by 50%.
ON/OFF lamp control from the lighting desk.
Function reset from the lighting desk.
"HELP" function in the menu.
"MEMO" function.
"AUTOTEST" function.
Possibility to upgrade the software through the DMX 512 input.
EThernET connection.
Electronic control on each parameter.
DMX level monitoring on each channel.
Feedback information for each sensor and encoder.
Electronic repositioning of the effects.
Alpha Wash Easy 1200 is an (Silent Version) projector.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Stages - A stage is a designated space for the performance of theatrical productions or other live events. Some stages are permanent structures in theaters, but often stages are temporary structures built for . Used . outdoor events and can range is size from small 20 to 30 square foot structures to very large arena sized stages assembled from many components.. Used . ...

Video - Video is the technology of electromagnetically recording, processing, transmitting, and reconstructing a sequence of images that represent scenes in motion.

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Zirconium Lamp - A high intensity point source arc lamp using a zirconium oxide cathode in an argon-filled bulb. Used in powerful projectors because of its low emanation of long-wavelength light and its concentrated . Used . source. Similar to the Drummond light or Limelight, but differing from them chiefly in the employment of cones of zirconium instead of cylinders of lime. It has been outdated and replaced b. Used . y electric lighting....

Scaffolding - Scaffolding is a temporary platform or framework, either supported from below or suspended, that is used to support people and material during the set up and deconstruction of a stage or venue.
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Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.