Buy Used Alpha Wash 300 by Clay Paky

Contact a Sales Specialist about used Alpha Wash 300 for sale.

Alpha Wash 300 Moving Lights

...l and stop/stRobe effect complete the effects section.
MORE INFO
The BRIGHTEST 300W washlight
About 20% brighter than the best-known competitors in its category. The optical system is based on the use of a 300W lamp and a dichroic elliptical mirror with high reflection.
The Alpha Wash 300 can be used instead of projectors of larger size (575W).
COLOR QUALITY at maximum levels
CMY system and Color Wheel (8+1), that includes 2 CTO filters (3200K and 2500K) and 1 CTB filter, as well as a selection of new colors particularly demanded for professional use: Orange, Aquamarine, deep Green, deep Blue (Night Light effect) and saturated Red. The color wheel uses a new snap-shot system that increases the color changing speed.
Perfect beam UNIFORMITY
Two different frost effects with linear variation located on dedicated channels guarantee gradual color difFusion and a perfect beam uniformity at all projection distances. Beam opening from 12deg to 32deg can be obtained by using the frosts individually or together.
Very precise DIMMER
Special dimmer on dedicated channel to vary the brightness level from 0 to 100% and black-out with maximum linearity and precision.
Magnetic or electronic BALLAST
Depending on professional needs, every user can choose the product in the electronic or magnetic version.
SILENCE at the top of the category
Noise produced is less than 40 dB, thanks to the use of an innovative internal ventilation system and of an innovative electronic section that restores a further reduction of unwanted noise in the projector PAN-TILT motors.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Active - A active circuit works with an external power supply and usually at low power. A passive circuit operates directly on a signal using the power coming from the surrounding circuitry.
This is the . Used . reason why an active crossover is, for the most part, placed before amps, containing integrated circuits (and line level signal processing). On the other hand a passive crossover is placed . Used . after amplifiers where power levels are much larger . ...

XGA - Extended Graphics Array is a standard computer display introduced in 1990 by IBM. The initial version of XGA built upon IBM's VGA, adding support for two resolutions, 800 × 600 pixels with high color . Used . and 1024 × 768 pixels with a palette of 256 colors. XGA-2 was developed later and with 1024 x 768 pixels with high color, and 1360 x 1024 with 16 colors. However, all XGA modes have an aspe. Used . ct ratio 4:3 rounded to 8 pixels....

Hertz - A unit of measure for frequency generally applied to waveforms, one Hertz is equal to one cycle in one second. It is abbreviated Hz so that 100 Hz would be 100 cycles per second. However, the unit m. Used . ay be applied to periodic events other than waveforms like the second hand on a clock, which would cycle at 1 Hz, or a human heart that may beat at 1.2 Hz. Named after the German physicist H. Used . einrich Rudolf Hertz, the name was established in 1930, but did not replace the term cycles per second until the 1970s.

...

Backlight - Light that comes from the upstage, behind all actors and scenery. It helps to separate them from the back drop.

Light coming from upstage, behind scenery or actors, to sculpt and separat. Used . e them from the background. Used . ...

Ohm - A unit of measurement for the electrical resistance equal to that of a conductor in which a current of one ampere is produced by a potential of one volt across its terminals. One ohm is the resistanc. Used . e in a circuit when one volt maintains a current of one amp. The unit, originally ohma or ohmad, was first used by Charles Tilston Bright and Latimer Clark in 1861 and is still in use today.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.