Buy Used Alpha Beam 300 by Clay Paky

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Alpha Beam 300 Moving Lights

...l Clay Paky optical group, with a 300 W lamp produces three times the brightness as that of an ordinary 1200 W wash projector, generating an extraordinary “tube of light with a natural beam of 8deg.

The aperture and graphics of the “tube of light can be decided at will by using the 8 fixed gobos available, while a linear frost can be used to pass from a narrow hard beam to a more or less soft one.

CMY colour mixing and a colour wheel (8+1) allow the light beam to be coloured at will.

A Dimmer on a dedicated channel, stop/stRobe and high speed Pan/Tilt complete the Alpha Beam 300 configuration.

Innovative and complete, compact, service friendly and easy to install and use, Alpha Beam 300 is the ideal Moving Light Beam for “live professional use especially “long throw to cut through the brightness of stage washes or LED backgrounds, with Aircraft Landing light effects never seen before.

Clay Paky Moving Lights

Manufacturer of moving lights, effects, and image projectors.

Active - A active circuit works with an external power supply and usually at low power. A passive circuit operates directly on a signal using the power coming from the surrounding circuitry.
This is the . Used . reason why an active crossover is, for the most part, placed before amps, containing integrated circuits (and line level signal processing). On the other hand a passive crossover is placed . Used . after amplifiers where power levels are much larger . ...

Patch Bays - A patch bay is a panel, usually rack mounted, that uses cable connections to allow technicians to quickly change the physical path of a select signal. Generally, shorter patch cables will plug into fr. Used . ont of the panel, while the back will have have much longer connections to more permanent cables and equipment. . Used . ...

Other Effect - Any audio effect not otherwise defined or described.. Used . . Used . ...

Auxiliary Input - A signal path that goes back to the sound console for line lever signals sent to a seperate outboard piece of equipment such as an EQ, Delay, Effect Processor, etc, via an Auxiliary Send.. Used . . Used . ...

Mixers - A mixer is an electronic device for combining or "mixing" audio signals by routing and changing the level, tone, and/or dynamics of the audio signals. A mixer can mix analog or digital signals depend. Used . ing on the type of mixer. The modified signals are then combined to produce a unified signal output. Mixers can vary in size and function ranging from small format having a few inputs for a . Used . DJ to large format having dozens of inputs for studio recording....

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.