Buy Used AE - 6 by Apogee

Contact a Sales Specialist about used AE - 6 for sale.

AE - 6 Monitors

...ik™NL4MP Speakon™ connectors standard; Cannon EP Series
and gas-tight bArrier strips optional
Compatible Processors:
DLC24 Digital Controller
Handles:
Two handles designed as an integral part of enclosure (no moving parts)
Grille:
Powder-coated, diamond-punched steel with acoustic foam covering
Trim:
Optional protective steel trim pieces on top and bottom edges;
powder-coated for durability
Rigging Hardware:
Four 12-gauge steel nutplates, mounted two on either end,
recessed, nominally flush; accepts 3/8"-16 thread (10mm nutplate
or Aeroquip Pan fittings optional); nutplates are backed with 12-
gauge steel internal brackets
Finish:
Textured high-strength black epoxy paint; other colors optional
Enclosure Type:
Multi-angle floor monitor, optimally-vented bass
Cabinet Construction:
Multi-ply birch with stainless steel fasteners

Apogee Monitors

Apogee Sound was founded in 1985, with the highly-focused goal of manufacturing professional audio equipment to the finest possible professional standards. Beginning with professional loudspeakers for the sound reinforcement market, the company developed a family of 'processor-based' speakers, which offer significant advantages over other brands and types. The unique design integration of Apogee's special electronic processor with the loudspeaker enclosure and driver elements, is the key to the products' exceptional performance and wide acceptance. In 1989 Apogee developed its CORREQT ™ equalization system. CORREQT stands for Computer Optimized Room Resonant EQualization Technique, and is an advanced method of integrating a loudspeaker system into a room's acoustical environment, achieving results that surpasses ordinary methods of sound system balancing and equalization. It was used for seven consecutive years on the Grammy Awards and Oscar Awards, in addition to hundreds of other shows and installations. After achieving an excellent reputation and international acclaim with its loudspeaker products, the company expanded its product range into amplifiers for the touring and installation markets. It also added a specialized parametric equalizer to the line with features not found on any competitive models. In 1991 Apogee entered into a business relationship with LucasFilms taking on the task of manufacturing and marketing a LucasFilm THX professional monitoring system for the growing post production market. In 1993 Apogee developed its first studio monitoring system for music recording. Also in 1993, the company developed the world's first professional power amplifier designed from conception to be computer controlled, enabling remote monitoring and operation from a standard PC over simple twisted-pair wire. In 1995, Apogee won the 'Product of The Year' award from TCI magazine for the DA-Series of Digitally Controlled Power Amplifiers. In 1994 Apogee's AE-9 loudspeaker won the TEC Award from Mix Magazine for 'Transducer Product of The Year'. In 1998 Apogee won the EDDY Award for 'Product of the Year' for its new line of Linear Array Loudspeakers called the ALA-Series. In 1999, Apogee Sound International was acquired by Bogen Communications International, Inc. As an independent part of the larger company, Apogee will be able to focus its efforts on better serving its customers with professional audio products that exceed the highest expectations. The company's success in its endeavors is a direct result of the confidence of its clientele in the products and people of Apogee Sound. Consequently, Apogee products have been specified and used on many of the world's most visible events; a partial listing of which is attached. Apogee has long held a global outlook. In its first year it began exporting to Norway, Hong Kong, and Canada. Apogee currently has international distributors in more than 40 countries.

Processor Units - A processor unit is an individual piece of equipment, usually a computer, used to process editing infomation.. Used . . Used . ...

Scoop Light - Scoop lights or Scoops are circular fixtures that do not have any lenses. They have a reflector at the back of the fixture that directs the light out of the fixture. Since they do not have any sort o. Used . f lens system they are cheaper than other fixtures. However, the downside of this makes it so that you can not focus the light at all (even PAR's allow for more control than scoops). . Used .

Color gel - Color gel is a translucent or transparent coloured material that is used in theatre to colour light. Modern gels are usually made of polycarbonate or polyester, but the name arose from the gelatin ori. Used . ginally used. See gel (theater).

Gels are also used in photography and cinematography for the purpose of color correction, and in this capacity are usually called color filters.<. Used . br />
Similar colors may vary between different companies' formulations - for instance, they all have a color named 'bastard amber', yet Rosco's bastard amber is different from Lee's is different from G...

Followspot - Followspot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A followspot operator moves the followspot to follow the performer or to accent. Used . some action or prop etc. Somtimes called limes, dating back to the days of limelight.

Followspots are generally much brighter than conventional lighting instruments, and often u. Used . se a lamp with a considerably higher color temperature.

DMX-512 - DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.

Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...

Monitors

Monitors are commonly known as “stage monitors”. Stage monitors are the speakers used on stage that are directed towards the performers so that they can hear themselves while playing. This allows them to monitor how well they are playing. Usually, the monitor speaker is needed when instruments with amplifiers are used in combination with acoustic instruments and the voice. These monitors on stage usually have built in amplifiers and equalizers. These monitors specifically highlight the vocals and the sound of the acoustic instruments so they won’t be enveloped completely by the drums or the other electronic instruments. The audio wedge, wedge monitor, stage wedge, amplifiers, equalizers and monitor mixers all comprise the stage monitor system. There are two types of monitor speakers: the floor monitors and side fill monitors. Usually speakers on stage are heavy duty and require high input power to be able to generate high volume sounds. The floor monitors are the speakers that are placed on the floor. They are compact with the angle back design. Because of its angle appearance, it is also known as “wedge”. The smaller singular speakers are called the “hot spot” monitor that is usually placed on the microphone stand so the performers can easily hear themselves. The two way heavy duty speakers have the woofer and the high frequency horn. The side fill monitors are those found at the upright side of the stage and these allow sound to be heard in places that the floor monitors cannot cover.