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8803 Equalizers

...processing to be used as never before in collaboration with computer workstations.
Designed to deliver the inimitable sound of the flagship Neve 88RS console, the 8803 Dual Equaliser's circuitry is based on the Classic Neve 8108 topology. Balanced Inputs and ±20dB trim are followed by two 12dB per octave filters. The High-Pass Filter has a variable corner frequency from 25Hz to 300Hz, and the Low-Pass Filter has a range of 3kHz-15kHz. The four bands of equalisation offer selectable shelving and switchable Q on the high and low bands, with continuously variable Q on the mid frequency bands. Frequency selection is variable on all bands within the ranges 33Hz-440Hz, 120Hz-2kHz, 0.8kHz-9kHz and 1.5kHz-18kHz.
For modern producers and engineers looking to shape and develop sounds with unrivalled sonic purity and musicality, the 8803 Dual Channel Equaliser is the preeminent choice.
Highlights
Revered equalization circuitry derived from Classic 8108 design and flagship 88RS analogue console
Hand-built and hand-wired by Neve in Burnley, England
+/-20dB Input trim
High pass filter 25Hz to 300Hz 12dB per octave
Low pass filter 3kHz to 15kHz 12dB per octave
EQ High 1.5k to 18kHz, selectable Shelving/Bell, selectable Hi Q
EQ Mid High 0.8kHz to 9kHz, Q range: 0.3 to 7 continuously variable
EQ Mid Low 120Hz to 2kHz, Q range: 0.3 to 7 continuously variable
EQ Low 33Hz to 440Hz, selectable Shelving/Bell, selectable Hi Q
EQ bypass switch
USB port for recall of settings via Mac or PC and control software
XLR input combination jack, +4dBu, -10dBV
XLR and parallel jack outputs
External 100V-250V Power Supply

AMS Neve Equalizers

For more than 40 years AMS Neve has represented the pinnacle of professional audio design and engineering. More than a hundred world class analogue and digital designers, software specialists and audio purists spend their days dedicated to the advancement and evolution of professional audio products and workflows From its headquarters in northern England, AMS Neve has built a leading presence in the ultra high-end feature film scoring and mixing environments, the post-production and broadcast industries as well as in professional and project music studios worldwide. The company’s achievements have been recognized over the years by the industry’s most prestigious awards including an Emmy in 1992, a Grammy in 2000 and two Academy Awards in 1999 and 2004. While the awards and accolades are encouraging, our real reward comes from our commitment to making a difference to our clients’ enterprises in business, not just operational, terms. AMS Neve – no compromise professional audio.

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Equalizers

Equalizers are used in sound recording to equalize the balance between an electronic signal’s frequency components, by boosting or cutting the energy of specified frequency bands. Audio equalization is most widely used in sound recording, although it has many other applications beside that of the recording studio. There are a number of different types of Equalizers used in music recording. For example, a simple bass control (or low shelf), is able to adjust the gain of low frequency audio signals, without impacting on other frequencies. High self Equalizers (like a treble) on the other hand, are used to adjust high frequency audio signals only. Parametric Equalizers offers a far greater range of audio equalization functions however. These types of Equalizers are able to make three specific adjustments, something that makes them incredibly versatile. They can be used first of all to adjust the center frequency, and then they can be used to adjust the Q Factor in order to determine how sharp the bandwidth is. Finally, they can also be used to adjust the gain control in order to determine how much a frequency is boosted or cut in relation to frequencies above or below the selected center frequency range. A Graphic Dynamic Equalizer is similar to a Parametric Equalizer, except that these Equalizers are designed to be much more user-friendly. However, they are also less flexible than Parametric Equalizers. Graphic Equalizers employ a bank of filters to cover as many as 30 different frequency bands in the audio spectrum, depending on the model. The center frequency and Q Factor on Graphic Equalizers is fixed, but the level of these can be adjusted.