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8051 Compressors and Limiters

... mixing and mastering.
Functionality
Each channel can be controlled from either Side Chain A or Side Chain B, and the six signal paths can be split between the two side chains in any format required. Each audio channel can be routed to either or both side chains; for example the Centre channel in a 5.1 mix may be compressed using Side Chain A but also input to Side Chain B to control compression of the Surround Channels.
The 8051's compression is exceptionally smooth, and the compression remains transparent even at extreme settings. Together with the unit's ease of use and incredible flexibility, this sound quality has made the 8051 one of the world's most desirable units for surround mixing and mastering. Providing legendary Neve analogue sound quality without relinquishing any control, the 8051 is available as a standalone unit or can be fitted to Neve 88RS series consoles.
Highlights
Hand-built, hand-wired analogue compressor for Surround mixing
Six transformer-balanced audio paths
Ideal surround broadcast or mastering compressor
Side Chain control trims and Side Chain A/B bias control
High and low pass filter
Electronically balanced key input and LFE filter inputs
All other inputs transformer-balanced with 3.6kOhms input impedances
All outputs electronically balanced, post output transformers
Maximum output: +26dBu into 600 Ohms
Control Voltage I/O provided for linking multiple units, or linking to 33609
EIN (20kHz band):

AMS Neve Compressors and Limiters

For more than 40 years AMS Neve has represented the pinnacle of professional audio design and engineering. More than a hundred world class analogue and digital designers, software specialists and audio purists spend their days dedicated to the advancement and evolution of professional audio products and workflows From its headquarters in northern England, AMS Neve has built a leading presence in the ultra high-end feature film scoring and mixing environments, the post-production and broadcast industries as well as in professional and project music studios worldwide. The company’s achievements have been recognized over the years by the industry’s most prestigious awards including an Emmy in 1992, a Grammy in 2000 and two Academy Awards in 1999 and 2004. While the awards and accolades are encouraging, our real reward comes from our commitment to making a difference to our clients’ enterprises in business, not just operational, terms. AMS Neve – no compromise professional audio.

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Compressors and Limiters

Audio compressors and limiters are a kind of specialist hardware used to either amplify the volume of quiet sounds or reduce the volume of loud sounds, by simply compressing the “dynamic range” of an audio signal. Audio compression is commonly used during live concerts, broadcasts and studio recording. Audio compressors and limiters, sometimes called a dynamic compressor, can manipulate the volume of sound by alternating the rate of compression through two basic functions – attack and release controls, which are also able to smooth the final effect of the audio output. There are many different kinds of compressors and limiters available, including very basic models with just a few simple knobs for attacking and releasing, and more advanced models which provide greater versatility when it comes to attenuating audio signals. Audio technicians place an extremely high value on compressors and limiters. An audio limiter is essential for managing the level of audio signals during recording sessions. If the volume produced by a piano for example, is not managed, the recording equipment could easily be overloaded when the pianist plays louder, impacting on the quality of the final recording. Similarly, when the pianist plays at a lower volume, audio compressors and limiters are needed to boost the volume level so that the signal remains consistent throughout. In addition to managing signal levels, compressors and limiters can also be used to create special effects and add an extra dimension to recordings. Audio limiters are able to compress dynamic range audio signals into a much narrower range, hence why they are sometimes called a dynamic compressor. The results of such audio compression include attaining a higher source signal from low volume sound, smooth and consistent tones, an increase in some musical instruments sustain and the ability to enhance the “punch” of certain instruments, such as guitars, bass and drums.