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Infinity Wash S Moving Lights

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• 2 Prismatic effects: moon flower, beam'o (Patent Pending)
• Proportional zoom 4deg - 24deg
• Dimmer
• Mechanical and electronic stRobe (zap effect), synchronized, random, pulse effect
• Modular design for easy maintenance and servicing
• Pan 540deg, Tilt 284deg, 16 bit
PHYSICAL SIZE:
• Length: 459 mm (18.1 in)
• Width: 377 mm (14.8 in)
• Height: 602 mm (23.7 in), head straight up
• Weight: 23 kg (50.7 lbs)
LAMP AND BALLAST:
• Type: Philips MSR Gold 300/2 FastFit
• Color temperature: 8000 Kelvin
• Color rendering index: 75
• Average lamp life: 750 hours
• Socket: PGJX28
• Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
• USITT DMX512/1990
• DMX channels: 18
• Setting and addressing: LCD display or remotely
ELECTRICAL SPECIFICATIONS/CONNECTIONS:
• AC power: 90 – 250 V, auto sensing, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
• Power consumption: 2 A at 230 V, 4.4 A at 115 V
• DMX data in/out: 3 pin and 5 pin locking XLR
• RJ45 for upload and Remote Control

Coemar Moving Lights

Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries. COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.

Lighting Desk - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.

All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.

Consoles communicate wit...

Mixers - A mixer is an electronic device for combining or "mixing" audio signals by routing and changing the level, tone, and/or dynamics of the audio signals. A mixer can mix analog or digital signals depend. Used . ing on the type of mixer. The modified signals are then combined to produce a unified signal output. Mixers can vary in size and function ranging from small format having a few inputs for a . Used . DJ to large format having dozens of inputs for studio recording....

Achromatic - A lens arrangement designed to decrease chromatic aberration, for example: to set the same focal length for red and blue light at the focal plane. Also, a color having no chroma as in black, white and. Used . grays created by mixing black and white instead of other colors that are made of chromatic pigments.. Used . ...

Pre-Amp - A preamp amplifies a low level signal to normal line level before it is processed further and amplified further. It is generally used to give a boost to signals coming from Mics, Turntables and other . Used . audio equipment that has no amperage to the signal it produces.
. Used . ...

Adaptor - A connector allowing more than 2 electrical devices to be connected to a single power source. These connections are normally in parallel (each device is given the same voltage levels), but current is . Used . divided between them. Also known as a "Twofer".

3-way splitters are known as "Threefers".. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.