Buy Used Infinity ACL by Coemar

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Infinity ACL Moving Lights

...tronic stRobe (zap effect), synchronized, random, Pulse effect
• Modular design for easy maintenance and servicing
• Pan 540deg, Tilt 284deg, 16 bit
PHYSICAL SIZE:
• Length: 459 mm (18.1 in)
• Width: 377 mm (14.8 in)
• Height: 612 mm (24.1 in), head straight up
• Weight: 22.5 kg (49.6 lbs)
LAMP AND BALLAST:
• Type: Philips MSR Gold 300/2 FastFit
• Color temperature: 8000 Kelvin
• Color rendering index: 75
• Average lamp life: 750 hours
• Socket: PGJX28
• Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
• USITT DMX512/1990
• DMX channels: 18
• Setting and addressing: LCD display or remotely
ELECTRICAL SPECIFICATIONS/CONNECTIONS:
• AC power: 90 – 250 V, auto sensing, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
• Power consumption: 2 A at 230 V, 4.4 A at 115 V
• DMX data in/out: 3 pin and 5 pin locking XLR
• RJ45 for upload and Remote Control

Coemar Moving Lights

Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries. COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Revelation of Form - Altering the perception of shapes onstage, particularly three-dimensional stage elements. . Used . . Used . ...

Acoustics - Acoustics is a branch of physics and is the study of sound, mechanical waves in gases, liquids, and solids. A scientist who works in the field of acoustics is an acoustician. The application of acoust. Used . ics in technology is called acoustical engineering. There is often much overlap and interaction between the interests of acousticians and acoustical engineers.

"... acoustics is . Used . characterized by its reliance on combinations of physical principles drawn from other sources; and that the primary task of modern physical acoustics is to effect a fusion of the principles normally adhering t...

Zoom Lens - A mechanical assembly of lens elements with the capability to vary its focal length allowing for a closer or farther view of a subject, without changing perspective. Zoom lenses are often described b. Used . y the ratio of their focal lengths from longest to shortest. A 100mm to 400mm zoom may be described as a 4:1 or 4× zoom.

. Used . ...

House Lights - House lights are incandescent or fluorescent floodlights. House lights provide light for the audience before and after performances and during intermissions. Work lights provide general lighting backs. Used . tage, or in the house. House lights are often controlled by dimmers, but are sometimes on simple switches. Work lights are almost always switched only. House and work lights are usually off d. Used . uring performances but are occasionally included in the lighting design to establish focus or emphasize plot elements. ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.