Buy Used 600SZ by G-Lites

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600SZ Moving Lights

...ckwise or
anticlockwise, fast or slow.
Angles for rotating gobos can be separately
adjusted (to ensure consistency of gobo orientation
and angle).

GOBO SIZES:
Thickness stainless (0.2 mm) / glass gobo (1.1
mm).
Rotating metal gobo wheel A outside (28 mm) /
inside(22 mm).
Rotating glass gobo wheel A outside (28 mm) /
inside(21.5 mm).
Fixing gobo wheel B outside (28 mm) / inside
(20.5 mm).
White: outside (28 mm) / inside (23 mm).

EFFECTS
3 faces prism lens with free clockwise or
counterclockwise rotation. 13deg - 32deg stepless
zooming feature, freely tunable.

OPTICS
Motorized focus.
Motorized iris (adjustable aperture size).

DIMMER-SHUTTER-STRobe
0 – 100% mechanical linear dimming (adjustable
from full blanking to full opening effects).
1-7 flashes/second ultra high speed stRobe effect.

PAN TILT
Horizontal direction 540deg scanning, smooth
scanning action and accurate orientation.
Vertical 250deg scanning, smooth scanning action
and accurate orientation.
Pan/Tilt lock
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical
position.
Precise speed adjustment on horizontal and
vertical position.

INPUT
3 pin or 5 pin in and out DMX 512 signal.
18 channel (16 bit) or 12 channel (8 bit).

SET UP
Separate motor debug Remote Control.
Separate DMX address functions Remote Control:
stand, inverted, light on, light off.
Auto test all functions.
Display “flip function 180deg rotation.
Working temperature adjustment.

POWER
Magnetic Ballast Version.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).
Built-in over heat protection and high voltage
protection.
PCF power factor compensation.
According to various kinds of safety standards,
IP20 protect grades, the cable accords to the
CE20/22 standard.

CONSUMPTION
Power consumption: 680W.

DIMENSIONS
L21xW18xH44 inches.
L534xW445xH1118 mm.

NET WEIGHT
46 Kg. / 102 Lb.

GROSS WEIGHT
77 Kg. / 169 Lb.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

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Limelight - An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...

Staging - Staging is the process and art of selecting, designing, or modifying the performance space for a given purpose, be it theatrical, television, film or concert production. . Used . . Used . ...

Accent - A distinguishing feature or characteristic in design, such as a feature that sets apart or complements a decorative style. Something that emphasizes or contrasts something else, like when a little col. Used . or makes the qualities of an image stand out. . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.