Buy Used 575W by G-Lites

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575W Moving Lights

...riable speed.
Tilt 250deg variable speed.
Tilt lock.
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical
position.
Precise speed adjustment on horizontal and
vertical position.

INPUT
3 pin in and out DMX 512 signal.
16 channel (16 bit) or 12 channel (8 bit).

SET UP
Separate motor debug Remote Control.
Separate DMX address functions Remote Control:
stand, inverted, light on, light off.
Auto test all functions.
Display “flip function 180deg rotation.
Working temperature adjustment.

POWER
Magnetic Ballast Version.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).
Built-in over heat protection and high voltage
protection.
PCF power factor compensation.
According to various kinds of safety standards,
IP20 protect grades, the cable accords to
CE20/22 standard

CONSUMPTION
Power consumption: 680W.

DIMENSIONS
L21xW18xH44 inches.
L534xW445xH1118 mm.

NET WEIGHT
42 Kg. / 91 Lb.

GROSS WEIGHT
72 Kg. / 158 Lb.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

Auxiliary Input - A signal path that goes back to the sound console for line lever signals sent to a seperate outboard piece of equipment such as an EQ, Delay, Effect Processor, etc, via an Auxiliary Send.. Used . . Used . ...

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Lighting Desk - Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.

All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.

Consoles communicate wit...

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.