Buy Used 575S by G-Lites

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575S Moving Lights

...o + 1
white/open).
5 rotating gobo (3 metal rotating gobo + 1 glass
+ 1 white/open).
Pattern internal light rotating function, freely
adjusting fast, low speed, clockwise and
anticlockwise.
gobo position adjustment.

GOBO SIZES
Thickness stainless (0.2 mm) / glass gobo (1.1
mm).
Rotating metal gobo wheel outside (43.5 mm) /
inside(33.5 mm).
Rotating glass gobo wheel outside (43.5 mm) /
inside(33.5 mm).
Fixing Metal gobo wheel outside (43.5 mm) /
inside (32 mm).
White: outside (43.5 mm) / inside (32 mm).

EFFECTS
Linear frost.
Rainbow color.
1 rotating prism (3 faces).
3 prism effect, prism clockwise and anti clockwise
rotating.

OPTICS
1 motorized focus.

DIMMER-SHUTTER-STRobe
Linear dimmer.
Shutter.
StRobe 1-10 flashes per second.

PAN TILT
Pan 540deg variable speed.
Tilt 250deg variable spedd.
Tilt lock.
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical
position.
Precise speed adjustment on horizontal and
vertical position.

INPUT
3 pin in and out DMX 512 signal.
18 channel (16 bit) or 12 channel (8 bit).

SET UP
Separate motor debug Remote Control.
Separate DMX address functions Remote Control:
stand, inverted, light on, light off.
Auto test all functions.
Display “flip function 180deg rotation.
Working temperature adjustment.

POWER
Magnetic Ballast Version.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).
Built-in over heat protection and high voltage
protection.
PCF power factor compensation.
According to various kinds of safety standards,
IP20 protect grades, the cable accords to
CE20/22 standard.

CONSUMPTION
Power consumption: 680W.

DIMENSIONS
L21xW18xH44 inches.
L534xW445xH1118 mm.

NET WEIGHT
42 Kg. / 91 Lb.

GROSS WEIGHT
72 Kg. / 158 Lb.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

Working Lights - Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...

Control Consoles - Lighting consoles are electronic devices used in lighting design to control multiple lighting and staging devices. They can generally control dimmers and many modern consoles can also control automate. Used . d lighting, fog machines, hazers, and other special effects devices. Lighting consoles communicate with the devices in the lighting system with an electronic control protocol, the most common. Used . of which is DMX-512.
...

Chase - A set of cues that loops again and again. This is a lighting console term.. Used . . Used . ...

Converters and Sync - An audio converter is a type of electronic hardware that converts analog audio signals to digital audio format or vice versa. Audio synchronizers arrange the signals, either analog, digital or both, s. Used . o that multiple the signals occur in time. . Used . ...

Truss - A truss is a static structure consisting of straight slender members interconnected at joints into triangular units used for spanning or bracing structural elements.. Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.