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300WZ Moving Lights

...ng effects).
1-7 flashes/second ultra high speed stRobe effect.

PAN TILT
Horizontal direction 540deg scanning, smooth
scanning action and accurate orientation.
Vertical 250deg scanning, smooth scanning action
and accurate orientation.
Pan/Tilt lock
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical
position.
Precise speed adjustment on horizontal and
vertical position.

INPUT
3 pin or 5 pin in and out DMX 512 signal.
16 channel (16 bit) or 12 channel (8 bit).

SET UP
Separate motor debug Remote Control.
Separate DMX address functions Remote Control:
stand, inverted, light on, light off.
Auto test all functions.
Display “flip function 180deg rotation.
Working temperature adjustment.

POWER
Magnetic Ballast Version.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).
PFC Power factor compensation.
In compliance with all safety standards, IP20
protection class, power Cables under CE20/22
standart.

CONSUMPTION
Power consumption: 380W.

DIMENSIONS
L20xW17xH39 inches.
L508xW432xH991 mm.

NET WEIGHT
31 Kg. / 67 Lb.
GROSS WEIGHT
58 Kg. / 127 Lb.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

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Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.