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300S Moving Lights

...e consistency of gobo orientation
and angle).

GOBO SIZE
Thickness stainless (0.2 mm) / glass gobo (1.1
mm).
Rotating metal gobo wheel A outside (28 mm) /
inside(22 mm).
Rotating metal gobo wheel A outside (28 mm) /
inside(21.5 mm).
Fixing gobo wheel B outside (28 mm) / inside
(20.5 mm).
White: outside (28 mm) / inside (23 mm).

EFFECTS
9 faces prism lens with free clockwise or
counterclockwise rotation.

OPTICS
Motorized focus.

DIMMER-SHUTTER-STRobe
0 – 100% mechanical linear dimming (adjustable
from full blanking to full opening effects).
1-7 flashes/second ultra high speed stRobe effect.

PAN TILT
Horizontal direction 540deg scanning, smooth scanning action and accurate orientation.
Vertical 250deg scanning, smooth scanning action
and accurate orientation.
Pan/Tilt lock
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical
position.
Precise speed adjustement on horizontal and
vertical position.

INPUT
3 pin or 5 pin in and out DMX 512 signal.
16 channel (16 bit) or 12 channel (8 bit).

SET UP
Separate motor debug Remote Control.
Separate DMX address functions Remote Control:
stand, inverted, light on, light off.
Auto test all funtions.
Display “flip function 180deg rotation.
Working temperature adjustment.

POWER
Magnetic Ballast Version.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).
PCF power factor compensation.
In compliance with all safety standards, IP20
protection class, power Cables under CE20/22
standard.

CONSUMPTION
Power consumption: 380W.

DIMENSIONS
L20xW17xH39 inches.
L508xW432xH991 mm.

NET WEIGHT
31 Kg. / 67 Lb.

GROSS WEIGHT
58 Kg. / 127 Lb.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

Revelation of Form - Altering the perception of shapes onstage, particularly three-dimensional stage elements. . Used . . Used . ...

Fresnel - Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.

Fresnels use a spherical reflector, with the filament of the bulb ...

Other Effect - Any audio effect not otherwise defined or described.. Used . . Used . ...

Truss - A truss is a static structure consisting of straight slender members interconnected at joints into triangular units used for spanning or bracing structural elements.. Used . . Used . ...

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.