Buy Used 250S by G-Lites

Contact a Sales Specialist about used 250S for sale.

250S Moving Lights

...is 1.1mm.
The metal gobo and white gobo outside is 27mm,the inside is 22mm.
The glass gobo outside is 27mm ,the inside is 21mm.

EFFECTS
3 face Prism effect.

DIMMER-SHUTTER-STRobe
Linear dimmer.
Shutter.
StRobe 1-10 flashes per second.

PAN TILT
Horizontal direction 450deg scanning, smooth scanning action and accurate orientation.
Vertical 270deg scanning, smooth scanning action and accurate orientation
Pan/Tilt w 8/16 bit resolution.
Automatic Pan/Tilt repositioning.
Precise adjustment on horizontal and vertical position.
Precise speed adjustment on horizontal and vertical position.

INPUT
DMX 512 signal.
10 CH (16 Bit) or 8 CH (8 Bit).

SET UP
Auto test all functions.
Display the value of each DMX channel.

POWER
Magnetic Ballast.
200-220 V – 60 Hz.
100-120 V – 60 Hz (optional).
220-240 V – 50 Hz (optional).

CONSUMPTION
Power Consumption: 400 W.

DIMENSIONS
L 420 W 390 H 560 mm
L 16.53 W 15.35 H 22.05 inches

WEIGHT
23 Kg.

G-Lites Moving Lights

Grace Lites Corporation 42245 Remington Ave. Suite B17 Temecula, California, 92590

Achromatic - A lens arrangement designed to decrease chromatic aberration, for example: to set the same focal length for red and blue light at the focal plane. Also, a color having no chroma as in black, white and. Used . grays created by mixing black and white instead of other colors that are made of chromatic pigments.. Used . ...

Volt - A unit in the international system representing the electric potential and electromotive force equal to the difference of electric potential between two points on a conducting wire carrying a constant. Used . current of one ampere when the power dissipated between the points is one watt. Named after Alessandro Volta for his work with batteries, the term was adopted in the 1880s and is still in u. Used . se today....

Zone Focusing - Technique for focusing a lens so that the field depth extends over a predetermined scope of distances making an entire area, or zone, in focus rather than one specific subject. . Used . . Used . ...

Automated Light - Automated Lights were originally used in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the early 1980's. As the digital. Used . age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are currently used in almost all. Used . major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices to manipulate the light bef...

Analog signal - An analog or analogue signal is any variable signal continuous in both time and amplitude. It differs from a digital signal in that small fluctuations in the signal are meaningful. Analog is usually t. Used . hought of in an electrical context, however mechanical, pneumatic, hydraulic, and other systems may also use analog signals.

The word "analog" implies an analogy between cause an. Used . d effect, voltage in and voltage out, current in and current out, sound in and frequency out.

An analog signal uses some property of the medium to convey the signal's information. For example, an ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.