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160SL Compressors and Limiters

...r non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material.
The same striking blue front panel machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis still mark the 160SL as the leader for decades to come. The 160SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the Classic dbx 160, the 160SL now offers AutoVelocity manual mode, in addition to our Classic OverEasy mode, made standard by the Classic dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 160SL.
The heart of any dynamics processor is its VCA. The dbx 160SL is no different. It features dual proprietary V8 VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of 127dB dynamic range and ultra-low distortion. Encased in a specially designed aluminum-zinc housing for shielding and thermal characteristics, the V8 maintains its superior performance in harsh environments. The new 160S takes full advantage of the most technologically superior components available today. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen transformers, gold plated Neutrik XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced compressor in the world.

dbx Professional Compressors and Limiters

dbx Professional dbx Professional Products began in the studio environment developing noise reduction and dynamics products, and it is still in our blood. Since those beginnings we have continued to strive after audio perfection. The 160SL, 786, and Quantum II are some of the results of this pursuit. From the DriveRack series and the IEM In-Ear-Monitor Processor to our host of classic dbx analog Compressors and EQs and top-of-line Blue Series products, dbx no-compromise products are on the rosters of national touring acts night after night. From restaurants and shopping malls to nightclubs and theaters, professionals rely on dbx Professional Products to deliver unparalleled performance. Our DriveRack and ZonePRO products are designed for these applications; built to satisfy the most demanding environments.

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The word "analog" implies an analogy between cause an. Used . d effect, voltage in and voltage out, current in and current out, sound in and frequency out.

An analog signal uses some property of the medium to convey the signal's information. For example, an ...

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Delay - Delay is an audio effect which records a signal or sound and then plays it back after a period of time. The delayed signal may be played back multiple times or looped back into the recording again to . Used . create the sound of a repeating decaying echo. Unlike reverb, which uses reflected sound to produce many echos, delay has greater control over the number of times the sound is echoed. . Used . ...

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Compressors and Limiters

Audio compressors and limiters are a kind of specialist hardware used to either amplify the volume of quiet sounds or reduce the volume of loud sounds, by simply compressing the “dynamic range” of an audio signal. Audio compression is commonly used during live concerts, broadcasts and studio recording. Audio compressors and limiters, sometimes called a dynamic compressor, can manipulate the volume of sound by alternating the rate of compression through two basic functions – attack and release controls, which are also able to smooth the final effect of the audio output. There are many different kinds of compressors and limiters available, including very basic models with just a few simple knobs for attacking and releasing, and more advanced models which provide greater versatility when it comes to attenuating audio signals. Audio technicians place an extremely high value on compressors and limiters. An audio limiter is essential for managing the level of audio signals during recording sessions. If the volume produced by a piano for example, is not managed, the recording equipment could easily be overloaded when the pianist plays louder, impacting on the quality of the final recording. Similarly, when the pianist plays at a lower volume, audio compressors and limiters are needed to boost the volume level so that the signal remains consistent throughout. In addition to managing signal levels, compressors and limiters can also be used to create special effects and add an extra dimension to recordings. Audio limiters are able to compress dynamic range audio signals into a much narrower range, hence why they are sometimes called a dynamic compressor. The results of such audio compression include attaining a higher source signal from low volume sound, smooth and consistent tones, an increase in some musical instruments sustain and the ability to enhance the “punch” of certain instruments, such as guitars, bass and drums.