Buy Used 1073DPD by AMS Neve

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1073DPD Mic Pre-Amp

...uality Neve-designed analogue-to-digital converters.
For those who don't already know its legacy, the big, punchy sound of the mic 1073 preamp complements any musical genre, from rock to pop, Hip-Hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for Recording vocals, guitars, and all acoustic instruments.
With the 1073DPD, two Neve 1073 mic preamplifiers are complemented by superb Neve-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve's famous Class A analogue, outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology.
Despite its power, the 1073DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. Analogue insert points are provided ahead of the A/D converters, ensure the classic Neve sound is retained.
The combination of legendary analogue circuitry and superior digital quality makes the 1073DPD the obvious choice as a front-end for Recording to digital workstations.
Highlights
Two legendary 1073 microphone preamps in a convenient 1U rackmount design
Superior Neve-designed analogue-to-digital 24-bit converters
192Khz operation with DSD conversion, selectable via front-panel controls
Dedicated input Gain controls and output Trim controls on both channels
+48V Phantom Power and Phase Reverse switch
High quality Input Selector switch
Neve designed transformers for inimitable Neve sound
Hand-crafted and hand-wired by Neve in Burnley, UK

AMS Neve Mic Pre-Amp

For more than 40 years AMS Neve has represented the pinnacle of professional audio design and engineering. More than a hundred world class analogue and digital designers, software specialists and audio purists spend their days dedicated to the advancement and evolution of professional audio products and workflows From its headquarters in northern England, AMS Neve has built a leading presence in the ultra high-end feature film scoring and mixing environments, the post-production and broadcast industries as well as in professional and project music studios worldwide. The company’s achievements have been recognized over the years by the industry’s most prestigious awards including an Emmy in 1992, a Grammy in 2000 and two Academy Awards in 1999 and 2004. While the awards and accolades are encouraging, our real reward comes from our commitment to making a difference to our clients’ enterprises in business, not just operational, terms. AMS Neve – no compromise professional audio.

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Mic Pre-Amp

The mic pre-amp (also known as the microphone preamplifier) is an essential sound engineering device that allows the microphone signal to be easily processed by other devices. Usually, the microphone signals are not strong enough to penetrate units like the mixing consoles and recording equipment. Thus, the microphone pre amp heightens the signal so it can reach the required signal strength by the devices. For instance, the dynamic microphone has an output voltage within the range of 0-100 (microvolt). This is too low so the microphone pre-amp heightens the level approximately 70 dB or 0-100 volts. The result is a stronger signal that creates better sound quality. The mic pre-amp supplies ample gain and at the same time, it prevents the noise generated that could possible distort the signal. It also serves as a transducer that generates a kind of coloration or effects to an audio mix. Normally, sound engineers would emphasize the effect of the mic pre-amp to the overall quality of the sound of the audio mix. The pre amplifier usually charges the microphone with low impedance and this makes the microphone to work double time, resulting in the modification of the tone quality. The audio mixers already have built in preamplifiers but the mic pre-amp adds extra effects to the audio mixer’s effects. There are some types of microphones such as the condenser microphones that need the mic pre-amp to function. There are also pre-amps that comprise the channel strip together with the recording equipment like equalizers, compressors, noise gates, etc.